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Condition ReportThere are two small tears to the edge of  the sheet, lower left and lower right; minor surface dirt and some fading but generally sound throughout.  Framed and under glass, unexamined…

Condition ReportCanvas relined; traces of craquelure to paint surface, scratch to surface above gentleman's head, upper right; further small abrasion off the border, upper centre; traces of slightly…

Condition reportThe canvas is lined.Craquelure visible, particularly to forehead and face.Stretcher marks.Evidence of possible old repair, centre left in background.Some surface dirt and marks…

ExhibitedNew York, Hirschl & Adler Galleries, 3rd - 31st March, 1979, no. 31LiteratureAn Exhibition of Charcoal Drawings by Eastman Johnson, New York: Kennedy Galleries, 1920, p. 11, addendum …

LiteratureBaur, John I. H. An American Genre Painter: Eastman Johnson, 1824–1906. Brooklyn, NY: Brooklyn Museum, Brooklyn Institute of Arts and Sciences, 1940. Exhibition catalogue (1939 Brooklyn…

ExhibitedArts Council of Great Britain Touring Exhibition, Richard Dadd, 19th June 1974 - 5th January 1975, no. 88London, The Tate Gallery, Richard Dadd Exhibition, 19th June - 18th August, 1974/75…

FootenoteThe Goose was painted in 1887 and exhibited at the Royal Academy the following year.  The composition is based on the poem of the same name by Alfred Lord Tennyson which explores the myth of…

Condition ReportOriginal canvas; paint surface is generally sound; ultraviolet reveals traces of overpainting in the sky. to the water, some further to the clothes and patches in the foreground.  

Condition ReportThe maker's marks are a little indistinct, otherwise there is some wear to the hallmarks, on one salt, rather more than the other.  The gilding to both is rather scratched and stained…

Provenance: Sotheby’s London, 22 February 1999, lot 417. The original marble is attributed to the Greek sculptor Praxiteles, and was excavated by Gavin Hamilton in 1792 from a property just outside…

Giambologna was one of the most influential sculptors of the late 16th and early 17th centuries. His style became well known throughout Europe, disseminated through his small statuette bronzes and…

Pigalle presented this marble version of Mercury Lacing His Sandals in 1742 to the French Academy and to great acclaim. It is probably one of his most famous works, now in the Louvre museum. On the…

Pietro Masulli, an Neapolitan 19th Century sculptor and foundeur, put into practice the idea of copying ancient works of art to a high standard following the footsteps of Cellini. he founded an art…

The original sculpture of The Three Graces was carved in marble by the leading French Renaissance sculptor, Pilon, around 1560 to 1562. It was commissioned by Catherine de Medici as a monument to her…