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A large quantity of production related paperwork, 1963 – 1971, contained within two green card filing cabinet hanging files, both files with original typescript tabs Alfie, containing letters from…

A mimeographed typescript of Roald Dahl’s screenplay, dated 17 June 1966, 142 pp, in grey card covers indistinctly inscribed in pencil on the front Mr Lewis Gilbert in an unidentified hand, 36 pages…

An early mimeographed typescript of Ronald Hardy’s treatment for the screenplay, entitled The Spy Who Loved Me, Ronald Hardy, undated [but pre 5 Nov. 1975], 126 pp. [p.121missing] in blue card covers…

Two separate mimeographed typescripts of Richard Maibaum’s screenplay, both different versions; one entitled The Spy Who Loved Me, Draft Screenplay, Richard Maibaum and dated Nov.5,1975, 154 pp. in…

A mimeographed typescript of Lewis Gilbert’s dictated summary of the story entitled The Spy Who Loved Me, Story Outline No:1, (Dictated by Lewis Gilbert at a meeting on 5.Apr,76.), nine unbound pp.…

Two separate mimeographed typescripts of Christopher Wood’s screenplay, both similar versions,  the earlier one of the two an incomplete script missing the final 29 pages, entitled The Spy Who Loved…

Lewis Gilbert’s mimeographed typescript shooting script entitled The Spy Who Loved Me, Revised Final Shooting Script with copyright details Copyright of Danjaq S.A., dated 23 August,1976, the title…

Thirteen original photographic reproductions of storyboards for Scenes 176 – 206, the film’s most spectacular chase sequence on death-defying coastal roads featuring Bond driving Q’s specially…

A large black and white portrait photograph of Lewis Gilbert on the set of The Spy Who Loved Me, uncredited but taken by Martin Godwin from the Guardian Picture Desk [see Lot 512] - 29.2 x 36.8 cm.…

A quantity of Lewis Gilbert’s production paperwork, majority mimeographed typescript including:- A xeroxed copy of a three-page letter on Eon Productions Ltd. headed stationery, dated 8 April,76 from…

A mimeograph typescript director’s script, undated, 160 pp. fastened with hinged metal clasp between brown card covers, no title page, the first page incorrectly titled For Your Eyes Only, crossed…

A large collection of production material including various paperwork, correspondence and related material including:- A pink folder inscribed on the cover in an unidentified hand ROUGH DRAFT –…

A collection of production material including:- Two file copies of a ‘Memorandum of Agreement’, 15 February 1988, both 23 pages, with attached Schedule A and B, Subject: “Shirley Valentine”/ Lewis…

Comprising:-Five large black and white vintage photographs of Lewis Gilbert directing Operation Daybreak on location in Prague, 1974, all either 27 x 37 cm., or 37 x 27 cm., and two smaller black and…

FootnoteThe Rising City was first exhibited at Alex Reid & Lefevre, London, April 1927 while a related drawing (dimensions and whereabouts unknown) was first exhibited at the Leicester Galleries,…

Condition reportOriginal canvas.   Minor scattered spots of staining, otherwise the paint surface is generally clean and sound.  Ultraviolet reveals no sign of retouching.

Footnotes:Miss Clear Annie Cameron, a 2nd Class passenger, boarded the Titanic at Southampton, traveling with Miss Ellen Nellie Wallcroft. She survived the sinking, being rescued by the Carpathia…

With engine-milled borders, on bun feet, one engraved ‘FROM V.R.I. AIX-LES-BAINS, APRIL 1887’, 10.5cm wide; 5.5.cm wide; the other with a three compartments and hinged lids, 10.5cm wide; 5cm highThis…

Condition Report: Width of box: 18.6mm, depth of box: 8.6mm. The interior lining was originally pale blue and is not largely stained light brown. here is some tarnish spotting around the edge of the…

BURLINGTON FINE ARTS CLUB. Exhibition of English Embroidery executed prior to the Middle of the XVI Century. London: Printed for the Burlington Fine Arts Club, 1905. Large 4to (405 x 320mm). Half…