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Length of central stone 4.3mm x width 3.5mm, old cut diamonds, edge of the setting is a bit worn, one or two replacement brilliants, some of the diamonds have surface reaching inclusions, one diamond…

The emerald is of medium colour saturation, it has a few uniform internal inclusions, which only very slightly break the surface of the stone in places, very minor chips to facets. The emerald may…

 Comprising:-The Sea Shall Not Have Them, 1954: the director’s shooting script, 114 pp. of mimeograph typescript bound in brown card covers, the front cover with white paper label with the film’s…

Comprising:-Reach For The Sky, 1956: two director’s scripts, the first comprising 147 pp. of unbound mimeograph typescript, contained within a green hard cover folder, the front with cloth labels…

Literature: Nourmand, Tony Film Posters of The 60s, Aurum Press, LondonCondition Report: After removing the poster from the frame we have discovered that it is stuck to a board. Fold lines visible,…

An important series of letters between Bill Naughton and Lewis Gilbert, comprising five one-page autograph letters from Naughton to Gilbert, all on Park-Sheraton Hotel New York headed stationery, one…

A large quantity of production related paperwork, 1963 – 1971, contained within two green card filing cabinet hanging files, both files with original typescript tabs Alfie, containing letters from…

A mimeographed typescript of Roald Dahl’s screenplay, dated 17 June 1966, 142 pp, in grey card covers indistinctly inscribed in pencil on the front Mr Lewis Gilbert in an unidentified hand, 36 pages…

An early mimeographed typescript of Ronald Hardy’s treatment for the screenplay, entitled The Spy Who Loved Me, Ronald Hardy, undated [but pre 5 Nov. 1975], 126 pp. [p.121missing] in blue card covers…

Two separate mimeographed typescripts of Richard Maibaum’s screenplay, both different versions; one entitled The Spy Who Loved Me, Draft Screenplay, Richard Maibaum and dated Nov.5,1975, 154 pp. in…

A mimeographed typescript of Lewis Gilbert’s dictated summary of the story entitled The Spy Who Loved Me, Story Outline No:1, (Dictated by Lewis Gilbert at a meeting on 5.Apr,76.), nine unbound pp.…

Two separate mimeographed typescripts of Christopher Wood’s screenplay, both similar versions,  the earlier one of the two an incomplete script missing the final 29 pages, entitled The Spy Who Loved…

Lewis Gilbert’s mimeographed typescript shooting script entitled The Spy Who Loved Me, Revised Final Shooting Script with copyright details Copyright of Danjaq S.A., dated 23 August,1976, the title…

Thirteen original photographic reproductions of storyboards for Scenes 176 – 206, the film’s most spectacular chase sequence on death-defying coastal roads featuring Bond driving Q’s specially…

A large black and white portrait photograph of Lewis Gilbert on the set of The Spy Who Loved Me, uncredited but taken by Martin Godwin from the Guardian Picture Desk [see Lot 512] - 29.2 x 36.8 cm.…

A quantity of Lewis Gilbert’s production paperwork, majority mimeographed typescript including:- A xeroxed copy of a three-page letter on Eon Productions Ltd. headed stationery, dated 8 April,76 from…

A mimeograph typescript director’s script, undated, 160 pp. fastened with hinged metal clasp between brown card covers, no title page, the first page incorrectly titled For Your Eyes Only, crossed…

An original theatre poster for the Liverpool Playhouse for a production of Educating Rita, 5 February – 14 March 1981 – 76.5 x 51 cm.; a corresponding flyer for the UK National Tour, 30 August 1982…

A large collection of production material including various paperwork, correspondence and related material including:- A pink folder inscribed on the cover in an unidentified hand ROUGH DRAFT –…

Comprising:-Five large black and white vintage photographs of Lewis Gilbert directing Operation Daybreak on location in Prague, 1974, all either 27 x 37 cm., or 37 x 27 cm., and two smaller black and…

FootnoteAccording to an inscription attached to the backboard the present work was discovered in 2008, behind a painting by Walter Reynolds (British, act. 1859-1888), when the latter was being…