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Condition reportThe sheet ripples where the upper border meets the mount; otherwise the work is in good overall condition.  framed and under glass; unexamined out of frame.

Condition reportThe sheet is sound and the surface in good condition throughout; framed and under glass, unexamined out of frame.

Condition reportThe sheet is sound and the pastel and charcoal surface in good condition throughout.  Framed and under glass; unexamined out of frame.

Condition reportBoth sheets are sound and have deckled edges.  There are traces of a paper watermark, upper right on the portrait shaped work.  Both surfaces are in excellent condition throughout. …

Condition reportThe sheet appears to be generally sound throughout; framed and under glass - unexamined out of frame.

Condition reportEach sheet is in good, clean condition, held in the original embossed wrappers; some minor marks to the presentation case but generally sound.

Condition reportEach sheet is held in an individual mount, all in good overall condition.  The presentation case is also in good condition.

Condition reportMinor discolouration to the edges of the sheet, otherwise good condition overall; framed and under glass, unexamined out of frame.

Condition reportThe sheet has been extended in the lower right corner.  The upper and lower edges are deckled, pin holes to the upper left and right corners.  Otherwise good overall condition, framed…

Condition reportThe sheet is sound; good condition throughout.  Framed and under Perspex; unexamined out of frame.

Condition reportThe sheet is sound; good condition throughout.  Framed and under perspex; unexamined out of frame.

Condition reportThe sheet is sound throughout, good condition overall.  Framed and under Perspex; unexamined out of frame.

Condition reportThe plinth and window are sound and in working order; some old marks and scratches.

ALDINUS, Tobias (1570-1662) and Pietro CASTELLI (c. 1575-1656).  Exactissima descriptio rariorum quarundam plantarum, que continentur Rome in horto Farnesiano. Rome: Typis Iacobi Mascardi, 1625.…

JONSON, Ben (1572-1637).  Horace, His Art of Poetrie. Made English. [London: no publisher], 1640. Folio in 4s (282 x 190mm). The text is paginated [1]-292 but apparently lacking pp. 134-160 [see…

SHERIDAN LE FANU, John Thomas (1814-73).  The Evil Guest. London: Downey & Co., [n.d. but publisher's advertisements at the end dated March 1895]. 8vo (187 x 122mm). Frontispiece and title printed in…

BENOIT, Pierre (1886-1962).  L' Atlantide. Roman. Paris: L' Édition d' Art H. Piazza, 1939. 4to (227 x 165mm). Half title, title within green decorative border with central ornament, fine hand- or…

[BUTLER, Samuel (1613-80)].  Hudibras, in Three Parts, Written in the Time of the Late Wars: Corrected and Amended. With Large Annotations, and a Preface, by Zachary Grey, LLD. Adorn’d with a new Set…

MISCELLANY, 20th CENTURY - Muriel SPARK (1918-2006).  The Ballad of Peckham Rye. London: Macmillan, 1960. 8vo (190 x 130mm). Original eggshell blue cloth, spine lettered in red, dust-jacket with…

MISCELLANY - ALBERTUS MAGNUS ([?]1193-1280, attributed).  De secretis mulierum libellus. Amsterdam: [no publisher], 1740. 12mo (141 x 90mm). Woodcut ornament on title, initial (some light spotting…

BANKS, Iain (1954-2013).  The Wasp Factory. London: Macmillan, 1984. 8vo (215 x 135mm). Half title. Original brown buckram, spine lettered in gilt, dust-jacket with price of £7.95 unclipped (very…

SCOTT FITZGERALD, F. (1896-1940).  The Vegetable or from President to postman. New York: Charles Scribner's Sons, 1923. 8vo (190 x 130mm). Half title, 2-pages of publisher's advertisements at the end…