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The case with a shallow arch, circular glazed dial opening, above rectangular glazed panel door, on plinth base, the 11in. circular silvered dial, signed [perhaps a replacement?] with sweep minutes,…

Diameter of cluster 12.5mm, surface chip to principal diamond by one claw, surrounding diamonds, one diamond has surface reaching inclusion from within the stone, this takes the form of a crack, this…

An important series of letters between Bill Naughton and Lewis Gilbert, comprising five one-page autograph letters from Naughton to Gilbert, all on Park-Sheraton Hotel New York headed stationery, one…

An early mimeographed typescript of Ronald Hardy’s treatment for the screenplay, entitled The Spy Who Loved Me, Ronald Hardy, undated [but pre 5 Nov. 1975], 126 pp. [p.121missing] in blue card covers…

Two separate mimeographed typescripts of Richard Maibaum’s screenplay, both different versions; one entitled The Spy Who Loved Me, Draft Screenplay, Richard Maibaum and dated Nov.5,1975, 154 pp. in…

A mimeographed typescript of Lewis Gilbert’s dictated summary of the story entitled The Spy Who Loved Me, Story Outline No:1, (Dictated by Lewis Gilbert at a meeting on 5.Apr,76.), nine unbound pp.…

Two separate mimeographed typescripts of Christopher Wood’s screenplay, both similar versions,  the earlier one of the two an incomplete script missing the final 29 pages, entitled The Spy Who Loved…

Lewis Gilbert’s mimeographed typescript shooting script entitled The Spy Who Loved Me, Revised Final Shooting Script with copyright details Copyright of Danjaq S.A., dated 23 August,1976, the title…

Thirteen original photographic reproductions of storyboards for Scenes 176 – 206, the film’s most spectacular chase sequence on death-defying coastal roads featuring Bond driving Q’s specially…

A large black and white portrait photograph of Lewis Gilbert on the set of The Spy Who Loved Me, uncredited but taken by Martin Godwin from the Guardian Picture Desk [see Lot 512] - 29.2 x 36.8 cm.…

A quantity of Lewis Gilbert’s production paperwork, majority mimeographed typescript including:- A xeroxed copy of a three-page letter on Eon Productions Ltd. headed stationery, dated 8 April,76 from…

An original theatre poster for the Liverpool Playhouse for a production of Educating Rita, 5 February – 14 March 1981 – 76.5 x 51 cm.; a corresponding flyer for the UK National Tour, 30 August 1982…

Two director’s scripts of Willy Russell’s Screenplay, both 117 pp. of mimeograph typescript bound in red card covers: the first with title page dated 16th June, 1982, annotated in an unidentified…

Two photograph albums compiled by Hylda Gilbert, both labelled on the cover in Hylda’s hand, the first LOCATION RITA / IRELAND DUBLIN 1982…, the second Ireland Educating Rita 1982-1983: the first…

A large collection of production material including various paperwork, correspondence and related material including:- A pink folder inscribed on the cover in an unidentified hand ROUGH DRAFT –…

Two signed photographs, one a black and white still of Michael Caine as Frank, signed and inscribed in black felt pen to Gilbert’s granddaughter Justine, Best Wishes Justine, Michael Caine – 18.8 x…

A collection of production material including:- Two file copies of a ‘Memorandum of Agreement’, 15 February 1988, both 23 pages, with attached Schedule A and B, Subject: “Shirley Valentine”/ Lewis…

Comprising:-Five large black and white vintage photographs of Lewis Gilbert directing Operation Daybreak on location in Prague, 1974, all either 27 x 37 cm., or 37 x 27 cm., and two smaller black and…

Provenance: Hylda and Lewis Gilbert, Sheldrake Place, London. Lewis Gilbert (d.2018), the celebrated film director, producer and screenwriter, best known for his 007 James Bond movies and Alfie…

Provenance: Hylda and Lewis Gilbert, Sheldrake Place, London. Lewis Gilbert (d.2018), the celebrated film director, producer and screenwriter, best known for his 007 James Bond movies and Alfie…

Condition report:Both bases with foundry seals stamped ‘ PARIS BRONZE GARANTI’. Overall, light scuffs and rubbing to the dark brown patina. Wear more notable to areas where typically handled. The…

Modelled as a thief on horseback looking back and pointing a gun, indistinctly inscribed 'WOERFFEL' and with a Cyrillic signature, mounted on a green marble base30cm wide; 29cm high