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With carved lion head finials 70cm wide; 115cm high

54cm wide; 97cm high

With faux leather upholstery, 63cm wide; 89cm high

59cm wide; 97cm high and a matching footstool 68cm wide; 40cm high

107cm wide; 30cm deep; 114cm high

159cm wide; 83cm high and a pair of open armchairs with cockpen / lattice backs 74cm wide; 86cm high

With three tier open plate rack, 138cm wide; 38cm deep; 198cm high

49cm wide; 85cm high

Probably Han dynasty
Of rectangular form with pitched roof, one side with an open door with taotie mask knocker, flanked by two pierced windows, 21.5cm high by 30cm length; also a pottery model of a…

Edo period
Ink, colour and gold on paper, depicting scattered open and closed fans decorated with various subjects against gold ground, each panel approx. 172cm by 60cm

The signed silvered dial with Arabic numerals, outer split seconds divisions reading from 10 to 50 per section, centre seconds and side set button to the band, the caseback detailed Stainless Steel…

The gold bracelet watch with baton numerals to the signed matt gilt dial, the tapered bracelet with a snap clasp, length 17cm, gross weight 12.8 grams, a silver cased, keyless wind open faced lady's…

The signed textured gilt dial with baton hour markers, centre seconds and with date aperture at 3 o'clock, milled screw-off caseback, the Rolex steel and gold bracelet with a foldover clasp, detailed…

The signed silvered dial with black Roman numerals and with date aperture, the caseback numbered 229875BB 2675, the bracelet with a folding clasp, with spare links and Cartier case

The signed grey waffle dial with gilt and luminous baton numerals, date aperture, gilt and luminous hands and center seconds, the caseback detailed Royal Oak Quartz No 1464, with a deployment buckle…

Each with a dished circular back and front, centered by a cushion shaped diamond, with a textured finish, in 18ct yellow gold, gross weight 9.1 grams

Mrs Jones: "I suppose you go out a great deal?"
Mrs Brown: "No my dear not now, of course I receive numerous invitations but I never accept because I can't retaliate"
signed 'George Belcher' (lower…

"Now then, now then. We can't have any of our women trying to look like women"
pen, ink and grey wash
10.5 x 16cm

Provenance
Mrs Ann McMullan, a member of the artist's family;
The Rae-Smith Gallery,…

Early 20th Century
The circular gilt metal base surmounted by a seated painted figure beside an ornate garden, all below an enamelled parasol clock dial, stamped 'GES GESCH 357' to the base, 11cm high

After The Antique, 20th Century
On an integral base, 43cm wide

2005
Presented to the artist for the albums 'Sin After Sin', 'Killing Machine', 'Point Of Entry' and 'Priest...Live!', framed, 79cm high

Circa 1930
Mounted and backed on felt by Van Ingen & Van Ingen, Mysore, stencilled to the reverse, pencil reference number '14394' and faint remnants of a paper label, 225cm wide; 310cm long

The dark indigo field with an allover floral design; a madder floral border, circa 1950s, 276 x 185cm

The faded plum field with a bold ivory and indigo lozenge medallion, matching indigo spandrels, all with floral sprays, interconnecting ivory and indigo cartouche border, circa 1920s, 208 x 130cm