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Eine Hand Ist Keine Faust III (2019)
signed, dated and numbered in pencil 'GBaselitz 019 12/12' (in lower margin)
etching with aquatint
34.5 x 27cm
(unframed)
ARR

Provenance
Cristea Roberts Gallery,…

Eine hand Ist Keine Faust VII (2019)
signed, dated and numbered in pencil 'GBaselitz 019 12/12' (in lower margin)
etching with aquatint
34.5 x 27cm
(unframed)
ARR

Provenance
Cristea Roberts Gallery,…

The Voyage of Brendan - The Crystal Columns
signed and dated 'JIM FITZPATRICK 92' (lower left), titled (lower right)
mixed media on paper
60 x 86cm
ARR

Provenance
Acquired directly from the artist…

Beach with palm trees
oil on board
26.5 x 30cm
(unframed)

Provenance
The Estate of the Artist

Purple Crossed Forms
central upright section signed and dated '© Harvey K Littleton/3-1990-4' (lower centre), central arch section signed and dated '©/ Harvey K Littleton/3-1990-4' (lower edge),…

Early 20th Century
With slight curve to the upper horizontal rail above two open circular motifs, 40cm wide

Early 20th Century
The mahogany cased music box with inlaid marquetry lid, handwritten list of airs to the interior, glazed internal lid, 63cm wide

Alexander Gordon, 4th Duke of Gordon (1743-1827), Keeper of the Great Seal of Scotland
oil on canvas
75 x 62cm

Provenance
Private collection, UK

Footnote
The original portrait by John Moir is in…

Portrait of Ethel Eastman Johnson Conkling with a Fan, the artist’s daughter (1870-1931) (c. 1895)
oil on canvas
116 x 63cm

Provenance
The Artist, thence by descent to the present owner;
Private…

Portrait of Philip Carrigan Johnson, the artist’s father (1795-1859) (c. 1856)
oil on canvas
24 x 19cm

Provenance
Eastman Johnson estate/Mrs. Eastman Johnson, New York, 1906 (by bequest);
Ethel…

Portrait of a horse and two whippets
oil on canvas
76 x 109cm

Provenance
Private collection, UK

The Goose
signed and dated 'FRED HALL 1887' (lower right); signed and inscribed 'Fred Hall/ Newlyn Penzance/ The Goose/ It clutter'd here, it chuckled there/ It stirr'd the old wife's mettle/ She…

Landing the Catch
signed and dated 'C Napier Hemy./ 1887' (lower left)
watercolour
66 x 91cm

Provenance
Alexander Aleco Ionides (1840-1898);
by descent to George Alexander Ionides (B. 1879);
Thence…

Of oval form, with engraved decoration within a beaded rim, fluted foliate capped handles and raised on four tapered legs, engraved with a shield and a crest to the centre, London 1786, maker John…

The first of baluster form, crest engraved, height 11.5cm, maker Samuel Wood, London 1733 and three further casters, London 1736, London 1736 and London 1744, combined weight 328 grams

Circa 1890
The hinged foliate carved top and fall front with carrying handles to the sides, opening to reveal a fitted interior with double leather writing slope, 43cm wide; 24cm deep; 28cm high

Early 20th Century
The mahogany cased music box with inlaid marquetry lid, handwritten list of airs to the interior, glazed internal lid, 63cm wide

Landscape in the south of France
signed 'Susan Stone' (lower right)
watercolour heightened with bodycolour
46 x 71cm
ARR

Provenance
The Quay Gallery, Poole, Dorset;
Private collection, UK

Footnote…

It says here that we can have him in a pie, as a casserole, a stew, with gravy, or as a hot drink
signed 'S.McMURTRY' (lower right)
ink and wash heightened with white
28.5 x 43cm
together with a…

Probably a modern copy
The centre painted with books and a hammer, and with the cyrillic inscription, 'Here is a book, hammer and sickle.....', blue painted marks, 24cm diameter

Mounted with three rubies and with two smaller diamonds at intervals, detailed 18 CT, ring size L½, gross weight 2.5 grams

Of tapered cylindrical form with banded decoration, London 1822, crest and monogram engraved, maker's mark indistinct, weight 127 grams

Of circular form, raised on a circular foot, detailed Tessier London, diameter of bowl 12.8cm, London 1916, weight 597 grams

With a central garnet surrounded by round brilliant cut diamonds, mounted in 18ct gold, size P, gross weigh 3.3 grams