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Condition report: Numerous scratches to the top and back. Chrome plating worn with some rust to the recesses, please see extra images. Areas scuffed and scratched. Central frieze drawer with a cut…

Overall crazing to the glaze. Some surface scratches. Minor rim chips. Some chips to back of tile

Kneeling man- good conditionFigures with jar- some natural splits to the ivory but otherwise in good conditionGirl with dish- good condition

The mount is in good condition, would benefit from cleaning, stopper in good condition, there is moisture within the decanter, when this dries out, we could not guarantee that there is no limescale…

Tests as foreign silver, perhaps around 800 grade, traces of test marks underneath (could be polished out), tiny hole to lid and hinge pin coming out at one end, but overall fairly good condition, no…

One of the feet is bent, the cast border is broken, the border has not been well applied and may have been done at a later date in order to make the salver more decorative, there is a lion passant…

The teapot; there are no significant dents to the teapot, which would polish up well and look attractive.  However the securing pin to the handle is out at one end and the handle is a bit wobbly at…

-The Little Ballerina, 1947: 39 black and white stills comprising 16 vintage stills, two of which feature Margot Fonteyn and 23 later prints, seven of which feature Fonteyn, in original brown paper…

 Comprising:-The Sea Shall Not Have Them, 1954: the director’s shooting script, 114 pp. of mimeograph typescript bound in brown card covers, the front cover with white paper label with the film’s…

Comprising:-Reach For The Sky, 1956: two director’s scripts, the first comprising 147 pp. of unbound mimeograph typescript, contained within a green hard cover folder, the front with cloth labels…

Two film scripts, one a ‘Shooting Script’, 117 pp. of mimeograph typescript in red card covers, the front cover printed in black italic script Carve Her Name With Pride, unannotated; a ‘Final…

Including:- A film script, the title page dated 14 April 1965, 122 pp. of mimeograph typescript on white and pale blue paper, 32 pages with minor amendments in Gilbert’s hand in either ballpoint pen…

An important series of letters between Bill Naughton and Lewis Gilbert, comprising five one-page autograph letters from Naughton to Gilbert, all on Park-Sheraton Hotel New York headed stationery, one…

A large quantity of production related paperwork, 1963 – 1971, contained within two green card filing cabinet hanging files, both files with original typescript tabs Alfie, containing letters from…

An important collection of 70 black and white contact sheets, majority featuring the main cast including Michael Caine, Julia Foster, Shelley Winters, Eleanor Bron, Vivien Merchant and Jane Asher,…

A red hardback scrapbook compiled by Hylda Gilbert, the 17 pages pasted with numerous press clippings and material relating to the premiere including: two tickets for the Royal World Charity Premiere…

A large black and white portrait photograph of Lewis Gilbert on the set of The Spy Who Loved Me, the verso with handwritten label attached inscribed in an unknown hand Martin Godwin / Guardian…

An early mimeographed typescript of Ronald Hardy’s treatment for the screenplay, entitled The Spy Who Loved Me, Ronald Hardy, undated [but pre 5 Nov. 1975], 126 pp. [p.121missing] in blue card covers…

Two separate mimeographed typescripts of Richard Maibaum’s screenplay, both different versions; one entitled The Spy Who Loved Me, Draft Screenplay, Richard Maibaum and dated Nov.5,1975, 154 pp. in…

A mimeographed typescript of Lewis Gilbert’s dictated summary of the story entitled The Spy Who Loved Me, Story Outline No:1, (Dictated by Lewis Gilbert at a meeting on 5.Apr,76.), nine unbound pp.…

Two separate mimeographed typescripts of Christopher Wood’s screenplay, both similar versions,  the earlier one of the two an incomplete script missing the final 29 pages, entitled The Spy Who Loved…

Lewis Gilbert’s mimeographed typescript shooting script entitled The Spy Who Loved Me, Revised Final Shooting Script with copyright details Copyright of Danjaq S.A., dated 23 August,1976, the title…

Thirteen original photographic reproductions of storyboards for Scenes 176 – 206, the film’s most spectacular chase sequence on death-defying coastal roads featuring Bond driving Q’s specially…

A large black and white portrait photograph of Lewis Gilbert on the set of The Spy Who Loved Me, uncredited but taken by Martin Godwin from the Guardian Picture Desk [see Lot 512] - 29.2 x 36.8 cm.…