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FootnoteThis drawing belongs to a series illustrating the Book of Esther. Most sheets carry extensive inscriptions on the verso, but the present drawing is an exception. Other drawings from the…

Condition ReportThe canvas has an old relining.  Horizontal surface tear running the width of the canvas one third of the way down the composition; this has come away from the relining on the right…

Condition ReportThe canvas has been relined and extended along the lower border; the join has separated and is visible to the naked eye.  The relining has come away from the stretcher along the lower…

Condition ReportThe canvas has been relined.  Traces of craquelure typical of a work of this age, a few flecks of lifting paint to the collar; discoloured varnish.  Ultraviolet reveals retouching to…

Condition reportThe canvas has been relined.  Extensive craquelure to paint surface and  discoloured varnish.  Ultraviolet reveals retouching to sitter's face; to a repair in his hair, upper right;…

Condition ReportThe canvas has been relined and re-stretched.  There is a horizontal crease running the width of the canvas in the upper quarter of the work, possibly from a previous reduced…

Condition ReportThe canvas has been relined.  Minor abrasions visible to the paint surface, upper right and discoloured spots of retouching to the fawn, visible to the naked eye.  Light surface dirt…

Footnote Sanctuary in the Sahara is a product of Fredrick A. Bridgman’s second visit to Algeria.  Having painted Algiers and its neighboring villages in 1872-73 during his first trip to North Africa,…

Condition ReportThe canvas has been relined.  The paint surface is clean and sound.  Some overpainting in the sky, upper right; a small patch to the wall, upper left; two flecks above the central…

Condition Reportboth panels are sound and flat.  Grain is visible through the paint surface on very close inspection; paint surfaces are both in good clean condition.  Ultraviolet reveals a few spots…

Condition Reportthe panel is sound; paint surface in good clean condition.  Ultraviolet reveals retouching to the sky, upper left and right and to the sea, lower right.  Held in a later plaster gilt…

Condition ReportCanvas has been relined.  Traces of craquelure and minor inconsistencies to the varnish, otherwise the paint surface is clean and sound.  Ultraviolet reveals retouching to the…

FootnoteBeatrice Cenci (1577-1599) was the daughter of Count Francesco Cenci, a nobleman described as 'a man of great wealth but dissolute habits and violent temper.'  Beatrice, along with her…

Condition ReportThe panel is sound.  Grain of wood is visible through the paint sin some areas on close inspection.  A few lines of craquelure to the figures.  Ultraviolet reveals infilling to…

Condition ReportOriginal canvas; there is a repair off the left hand border; a small hole, upper right; horizontal stretcher marks to the centre of the work; scattered uneven bits of canvas. …

Condition reportThe dar areas left and right that appear in the photo are just shadow in the image and do not appear on the work itself.A little undulation/unevenness to paper.A few small spots of…

Condition ReportsThe sheet is sound and the surface in good condition overall; ready to hang.  Framed and under glass, unexamined out of frame.