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7th century AD or earlier,
The face adorned with a bindi, the hair fastened in typical manner, later hook on reverse for hanging, 17cm high

Yongzheng
The sides enamelled with extensive river landscapes alternating with panels of flowers, vases and tables, against a black ground filled with flowers and tendrils, the cover surmounted by a…

17th century
With later European white metal mounts, the tapered cylindrical body decorated with two figures in a landscape scene 25cm high

Kangxi
With later European white metal/silver mounts (cover marked), the squat body decorated with cartouches of flowers beneath a slightly waisted neck painted with flower sprays, 19.5cm high

Kangxi
With later European white metal mount, the body decorated with Buddhistic emblems and 'Hundred Antiques' 20cm high

Kangxi
Painted with a domestic scene of mothers and children, 21.5cm high, later wooden cover

Probably 19th century
Of brown tone with russet highlights to the leaves, 7cm high, later wood stand

19th/20th century
Glazed all over in mid-blue monochrome, vase 29.5cm high, fixed wood stand

Kangxi
Painted with 'hundred antiques' and auspicious symbols, the base with vacant double ring cartouche, 13.25cm high, later wood cover

Chinese or possibly Japanese, 18th century or later
Of Islamic form, the pear shaped body decorated in relief with ogival panels enclosing figures in a landscape with buildings, birds and flowering…

19th century
Monochrome, the base unmarked, 36.5cm high excluding lamp fittings

Probably 19th century
Converted to an inkwell, monochrome with three medallions of carved decoration, six character Kangxi mark to base, silver mounts marked for Edward Farmer of New York 'Edward I…

Yongzheng mark but later
Blue and white with underglaze copper red, painted with figures at a scholar's table including one figure in kowtow prostration, marked to body with poem and annotations, six…

Meiji period
In the form of two quail, one looking upwards with detachable cover top its back, the other bird pecking from millet which forms the openwork base, later black painted characters to…

Portrait of Mrs Maxwell-Hyslop as a girl
signed with initials and dated '1896' (upper right); inscribed later 'MRS MAXWELL-HYSLOP/ AS A GIRL/ BY H TONKS (on the stretcher, verso)
oil on canvas
153 x…

Bank Holiday at the Beach
signed 'Ruskin Spear' (lower right) and with inscribed label (attached to the back of the frame)
oil on canvas
36 x 45.5cm
ARR

Provenance
Private collection, UK

Eve
signed 'BRATBY' (lower left), titled and dated 'Eve 58' (verso)
oil on board
142 x 50cm
ARR

Provenance
Sale, Christie's London, 12th May 1989, lot 99;
Sale, Sotheby's London, 15th December 2010,…

Unwise Ones
lithograph
25.5 x 18.5cm
ARR

Provenance
Private collection, UK

A Cornish Harbour (1927)
signed in pencil 'Laura Knight' (in lower margin)
etching
25 x 35cm
ARR

Provenance
Private collection, UK

Mill Street. W.
signed with initials, titled, dated and inscribed 'S.R.B 2nd trial 2nd St. June 1932/ The 21 Gallery, Mill St/ Bombed during War/ Now part of Savill Row/ Frankfurt and Heavy French,…

The Nag's Head, Braintree (1954) (Greenwood MG.037)
signed, titled, dated and numbered in pencil 'Edward Bawden 1954, 6/15' (in lower margin)
linocut in colours
51 x 60cm
ARR

Provenance
The…

Town Hall Yard (1956) (Greenwood MG.041)
signed, titled and dated in pencil 'Edward Bawden 1956' (in lower margin)
a proof aside from the 35 numbered artist's proofs
linocut in colours
40.5 x 61cm…

The Mill
signed 'ROWLAND HILDER' (lower right)
watercolour heightened with bodycolour
32.5 x 50.5cm
ARR

Provenance
Private collection, UK

A Following Breeze
signed 'ROWLAND HILDER' (lower right)
watercolour heightened with white
18 x 28cm
ARR

Provenance
Edwin Pollard Gallery, Church Road, Wimbledon Village, London;
Private collection,…