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Minor wear and flaking to the enamels

Some overall wear to the gilding.Otherwise in good condition

Shallow chip along the bottom edge of one handle. Some small chips around the foot

Slight cracks weight 79.8grams

There is a shallow chip to the inside of the footrim, approx. 0.5cm by 0.3cm. Otherwise in good condition with some minor specking to the glaze Under UV light no signs of restoration or cracks Please…

ProvenanceWith Doig, Wilson & Wheatley, Edinburgh;Thought to have been acquired from the above by the grandfather of the present owner;Thence by descentExhibitedMottisfont Abbey, Hampshire, circa…

Condition ReportCanvas relined; extensive craquelure pattern to paint surface, scattered surface abrasions and dirt; stretcher bar marks to each border; ultraviolet reveals infilling to flesh tones…

Condition reportno margin to sheet, tiny loss to lower left corner and all edges uneven; slight staining to sheet, upper left and right; framed and under glass, unexamined out of frame.

Condition reportSheet is taped in two places on the left hand border to the backing sheet; no margins; tiny loss to top right corner, a few areas of light staining, upper left.  Under glass and held…

Condition reportSummer:Some foxing and discolouration to paper.Some surface dirt.Vert small indentation to paper to left of central tree (this could be original to paper).Under glass and not examined…

Condition reportSheets are very slightly discoloured, craquelure to the darker  and thicker pigments; otherwise generally sound.  Framed and under glass, unexamined out of frame.Framed dimension 38…

Condition reportThe sheet is sound; one small surface abrasion in the lower right corner  otherwise good condition throughout with strong colour; framed and under glass, unexamined out of frame.

ExhibitedEdinburgh, The Royal Scottish Academy, 1883, No. 299FootnoteSir Joseph Noel Paton was born in Dunfermline, Scotland, in 1821. After attending Dunfermline Art Academy, he went onto study at…

Condition ReportOriginal canvas; Paint surface is in good, clean condition; no sign of retouching under ultraviolet light; framed and under glass; unexamined out of frame.

Condition ReportBoth canvases unlined; paint surface in good, clean condition with no sign of retouching under ultraviolet; good original condition overall; framed and under glass, unexamined out of…

Condition ReportThe work with the foxglove, upper right has areas of paint loss, particularly to the borders; this appears to be due to adhering to the glass.  The other work with the three roses,…

Tuke's register of paintings lists a number of watercolours which could be the present work; the most likely is R770, 'Group of French Ships and Barque.'Condition ReportThe sheet is sound, clean and…

FootnoteThe present work was painted by Tuke during his visit to Venice in May 1899 when he stayed with Horatio Brown at the Casa Torresella on the Zattere.  His diary entry for 29th May states, 'A…

FootnoteTuke painted the present work on 10th January 1924, and recorded the following entry in his diary:‘Out with Samwell and Ralph again and went further on – nearly got a small nurse shark with…

Condition reportThe sheet is sound, minor spots of surface dirt, lower right; glass is extremely dirty and mount badly foxed but the work itself is in fair condition;  framed and under glass,…

Condition ReportSome areas of bloom to borders and mount, otherwise the sheet is sound; light traces of surface dirt but in good condition overall; framed and under glass, unexamined out of frame…

The movement of any watches has not been tested for accuracy or time keeping and Bellmans does not guarantee the future working of any watch. Please note that any individual movement parts may be…

The movement of any watches has not been tested for accuracy or time keeping and Bellmans does not guarantee the future working of any watch. Please note that any individual movement parts may be…