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A peasant woman
signed and dated 'CONST. KOROViN 1938' (centre left)
watercolour and ink heightened with bodycolour
35 x 24.5cm

Two costume designs from 'The Dance of the Fishes', Sadko, Act VI
one signed and dated 'A Benois 1931', the other signed and dated 'A Benois 1930' (lower right) and both inscribed
pencil,…

Costume design for a peasant in Carmen
signed with initials and dated 'A B 1931' (lower right), inscribed and annotated
watercolour and bodycolour
32 x 24cm
(unframed)

Costume designs, a set of four
pen and ink
three 30 x 21cm, one 30 x 19cm
(all unframed)
(4)

Le Tricone ballet designs, one of a man wearing a tricorn hat; the other an abstract design with flowers
stencil prints
Paul Rosenberg editions
each with Paul Rosenberg stamps (lower right)
each 25.5…

Costume design for a Spanish dancer; Grime, two
stencil prints in colour
the first 42 x 26cm, the second 43 x 29cm
(2)

L'Art décoratif théâtral moderne, Paris: Edition La Cible, 1919
stamped with 'No. 354'
33 x 25.5cm
with loose blue case

Autour de Colette
signed 'Berard' (lower right)
pastel and gouache
24 x 22cm

Provenance
Galerie Lucie Weill, Rue Bonaparte, Paris

Together with two watercolour and pastel works by the same hand, A…

A Cave Dweller
signed with initials 'EGC' (centre left), titled (lower right) and dated '1901' (lower left)
watercolour
15 x 10cm
(unframed)
together with an ink and grey wash titled 'The lap dogs of…

Stage design, possibly for the production of the Ballet Les Forains, c. 1943
signed 'Berard' (lower left)
watercolour and gouache
30 x 46.5cm

Stage design for the Barber of Seville, New York production, 1953
signed with initials 'E.B.' (lower centre) and inscribed (upper centre)
ink, watercolour, pastel and bodycolour
24.5 x 16cm
together…

A ram's head
signed with initials and dated 'EB 1961' (lower centre)
watercolour and pastel heightened with bodycolour
27 x 56cm

Doux Propos de Guerre
signed and dated 'C. LOVAT FRASER INV. 1917.' (lower right) and inscribed (lower centre)
watercolour, ink and bodycolour
36 x 24cm

Fruit and Vegetable Series: You win this mushroom, it is poisonous; They were too long, they were much too long; If you don't like tomatoes, you can fuck off; The moment has arrived, the banana is…

19th Century
The 5 1/2 inch gilt dial inset with white enamel plaques, set within a Roccoco style gilt-brass and tortoiseshell case, French drum movement striking on a gong (CHECK!!), dial and…

Circa 1900
Including a gilt-mounted headband, floral applique sprigs with a matching tiara and veil, blue garter and various silk stockings; Together with a cotton lace underdress or tea gown and…

Late 19th Century
Mounted on an ebonised back, 36cm diameter; Together with larger Chinese silk embroidered hanging depicting swallows in flight and irises, 172cm wide; 221cm high

Together with a quantity of needle work patterns, lace work and various lace roles, and various wool work mantle piece bands and two pairs of needlework frames

Thuringia, mid 20th century
Each of amber tinted thin walled glass with bulbous body beneath a slender neck and everted scalloped rim, 19cm to 22cm high. Footnote; By repute these are trial pieces…

Mid 20th century
Comprising numbers 82, 178, 233 and 363, black printed marks, 26cm diameter (4)

With scrolling arms, otherwise designed as a Corinthian column, raised on a stepped square base, decorated with beaded edges, Birmingham 1926, (loaded), height 45.5cm

Uniform cultured pearls on a white gold, ruby and cultured pearl oval clasp, tongue detailed CB 750, length 18 cm, gross weight 13.6 grams.

Portrait miniature of a gentleman in a dark coat
on ivory (ref. K483Y3PB)
6.5cm high
in a gilt metal frame, with a lock of hair and seed pearls (to the reverse)

Portrait miniature of Lieutenant Colonel Thomas Grey (1770-1/1797) in military uniform of the 12th Regiment of Foot
bearing false initial ‘E’ (mid-right)
on ivory (ref. RQCD8D6J)
7.5cm high
in a gilt…