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Late 19th century
Overlaid in pink and enamelled and gilt with panels of flowers and scrolls, 14cm high; also a Bohemian blue overlay and enamelled glass scent scent bottle and stopper, 15cm high; a…

Late 19th century
The campana bowl and separate cylindrical pedestal enamelled with bands of flowers on a gilt ground, 34cm high; also a Bohemian white overlay green glass goblet enamelled with…

Early 19th century
Comprising; a pair of Spode coffee cans and saucers printed with landscapes inside gilt foliate borders; a New Hall pattern `1147' pattern coffee can printed with scenes after …

Circa 1820
Each piece painted with scattered flowers against a lavender-blue ground moulded in relief with white loose flower sprays, comprising; a slop bowl, 16.5cm diameter, five coffee cans, seven…

circa 1875
Comprising a tripod tazza and six dessert plates, all painted with flowers and grasses to centre including foxgloves, the border glazed in Sevres type bleu celeste blue with gilding and…

1930s
Newport Pottery, stamped mark to base, together with a Wilkinson Clarice Cliff preserve pot with associated hallmarked Sheffield silver spoon

1930's
Each pieced moulded with flowers in pink, blue and black, comprising; a mustard pot and cover, salt and pepperette, black printed marks, tallest 8cm high

circa 1830
Pearlware, with three transfer printed panels, one with 'Northumberland 74' (HMS Northumberland was a 74 gun ship that carried Napoleon to St Helena), and two of Masonic poems, together…

19th century
Pearlware with transfer printed Masonic emblem overpainted with enamels, together with four pearlware and Sunderland lustre Masonic jugs

19th century
Comprising thirty one lids, seven bases, and a miniature lid and base (Piesse & Lubin), variously decorated including with nautical and military themes, portraits, landscapes, vistas…

Possibly Irish, early 19th century
Facet cut urn shaped body with domed cover and mushroom knop, 29.5cm high

1999
Of waisted form, glazed in deep blue with orange peel texture, impressed mark beneath pulled handle, artist's signature in blue slip to base, 27cm high

Studio pottery
Of squat, ovoid form, the body having ribbed or faceted decoration, artist's mark to base, 8cm high

Studio pottery
Glazed in olive green of ovoid form with flared mouth, impressed potter's mark to base, 20cm high, together with a Diana Payton squared porcelain bowl with blueish celadon glazed,…

Mid 20th century
Covered in a tenmoku glaze, stamped mark, 35cm high; also a Crowan Pottery baluster jug, stamped mark, 19cm high; a St.Ives stoneware baluster jug, stamped mark, 20cm high and a…

Of faceted form, glazed in orange, brown and green, impressed potter's marks to foot, 8.5cm high, 13.5cm diameter, two caddy or salt spoons impressed with shells, potter's marks to base, a jug…

With pink-orange shino glaze to exterior, wood-fired on shells with natural ash glaze deposits, inscribed signature to base, together with Svend Bayer studio pottery jug with natural ash glaze to…

Earthenware
Glazed in grey/black breaking to iron red in places, pottery and artist's marks to base, 21.5cm high, together with a signed copy of 'Knotted Round My Heart' by Peggy Crosskey, a Nigerian…

Stoneware
Glazed in grey/pink with impressed/incised marks to centre, artist's mark incised to base, together with a signed Warren Mackenzie catalogue

Late 19th century
One painted with purple irises to centre, the other with a red flower, possibly peony, each with gilt cobalt blue border, 'Beehive' underglaze mark and stamped '808' marks to base,…

One painted with floral sprays of tulips and rose, the other with a Renaissance style scene of a lady with lute/guitar and another figure, each with lattice type border interspersed with flowers,…

Early 20th century
Comprising; a pot pourri vase and cover painted by E.O Ball, signed with a titled view `Windermere', 18cm high; a tall two-handled vase and cover painted with landscape and flower…

Modelled as a seated carpenter whittling a piece of wood, marked to base height 33cm

19th century
Of twin-handled pedestal form, glazed in black with low-relief decoration with bands of palmettes and Baroque style crests, incised/impressed marks to base, 41cm high