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A Globe-Trotter 007 Vulcanised Fibreboard Check-In Trolley Case, part of the new collaboration. Designed to celebrate the upcoming launch of the 25th Bond film. Established in 1897, Globe-Trotter…

A Globe-Trotter 007 Vulcanised Fibreboard Check-In Trolley Case, part of the new collaboration. Designed to celebrate the upcoming launch of the 25th Bond film. Established in 1897, Globe-Trotter…

The arched pediment with three brass finials, above glazed door, flanked by Corinthian fluted columns, the trunk with banded inlay and a door, on base with bracket feet, 12in. silvered dial, signed,…

The case mounted with giltmetal foliate panels, with domed top and foliate-cast scrolled handle, with four finials, the 6 3/4in. square brass dial with cast mask spandrels, signed silvered chapter…

 Comprising:-The Sea Shall Not Have Them, 1954: the director’s shooting script, 114 pp. of mimeograph typescript bound in brown card covers, the front cover with white paper label with the film’s…

Including:- A film script, the title page dated 14 April 1965, 122 pp. of mimeograph typescript on white and pale blue paper, 32 pages with minor amendments in Gilbert’s hand in either ballpoint pen…

An important series of letters between Bill Naughton and Lewis Gilbert, comprising five one-page autograph letters from Naughton to Gilbert, all on Park-Sheraton Hotel New York headed stationery, one…

A large quantity of production related paperwork, 1963 – 1971, contained within two green card filing cabinet hanging files, both files with original typescript tabs Alfie, containing letters from…

An important collection of 70 black and white contact sheets, majority featuring the main cast including Michael Caine, Julia Foster, Shelley Winters, Eleanor Bron, Vivien Merchant and Jane Asher,…

A mimeographed typescript of Roald Dahl’s screenplay, dated 17 June 1966, 142 pp, in grey card covers indistinctly inscribed in pencil on the front Mr Lewis Gilbert in an unidentified hand, 36 pages…

An early mimeographed typescript of Ronald Hardy’s treatment for the screenplay, entitled The Spy Who Loved Me, Ronald Hardy, undated [but pre 5 Nov. 1975], 126 pp. [p.121missing] in blue card covers…

Two separate mimeographed typescripts of Richard Maibaum’s screenplay, both different versions; one entitled The Spy Who Loved Me, Draft Screenplay, Richard Maibaum and dated Nov.5,1975, 154 pp. in…

A mimeographed typescript of Lewis Gilbert’s dictated summary of the story entitled The Spy Who Loved Me, Story Outline No:1, (Dictated by Lewis Gilbert at a meeting on 5.Apr,76.), nine unbound pp.…

Two separate mimeographed typescripts of Christopher Wood’s screenplay, both similar versions,  the earlier one of the two an incomplete script missing the final 29 pages, entitled The Spy Who Loved…

Lewis Gilbert’s mimeographed typescript shooting script entitled The Spy Who Loved Me, Revised Final Shooting Script with copyright details Copyright of Danjaq S.A., dated 23 August,1976, the title…

Thirteen original photographic reproductions of storyboards for Scenes 176 – 206, the film’s most spectacular chase sequence on death-defying coastal roads featuring Bond driving Q’s specially…

A large black and white portrait photograph of Lewis Gilbert on the set of The Spy Who Loved Me, uncredited but taken by Martin Godwin from the Guardian Picture Desk [see Lot 512] - 29.2 x 36.8 cm.…

A quantity of Lewis Gilbert’s production paperwork, majority mimeographed typescript including:- A xeroxed copy of a three-page letter on Eon Productions Ltd. headed stationery, dated 8 April,76 from…

A mimeograph typescript director’s script, undated, 160 pp. fastened with hinged metal clasp between brown card covers, no title page, the first page incorrectly titled For Your Eyes Only, crossed…

A large collection of production material including various paperwork, correspondence and related material including:- A pink folder inscribed on the cover in an unidentified hand ROUGH DRAFT –…

Comprising:-Five large black and white vintage photographs of Lewis Gilbert directing Operation Daybreak on location in Prague, 1974, all either 27 x 37 cm., or 37 x 27 cm., and two smaller black and…

Backed on linen, 155 x 117cm Condition report:Crease marks, fading and scuffs throughout