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Two separate mimeographed typescripts of Christopher Wood’s screenplay, both similar versions,  the earlier one of the two an incomplete script missing the final 29 pages, entitled The Spy Who Loved…

Lewis Gilbert’s mimeographed typescript shooting script entitled The Spy Who Loved Me, Revised Final Shooting Script with copyright details Copyright of Danjaq S.A., dated 23 August,1976, the title…

Thirteen original photographic reproductions of storyboards for Scenes 176 – 206, the film’s most spectacular chase sequence on death-defying coastal roads featuring Bond driving Q’s specially…

A large black and white portrait photograph of Lewis Gilbert on the set of The Spy Who Loved Me, uncredited but taken by Martin Godwin from the Guardian Picture Desk [see Lot 512] - 29.2 x 36.8 cm.…

A quantity of Lewis Gilbert’s production paperwork, majority mimeographed typescript including:- A xeroxed copy of a three-page letter on Eon Productions Ltd. headed stationery, dated 8 April,76 from…

A mimeograph typescript director’s script, undated, 160 pp. fastened with hinged metal clasp between brown card covers, no title page, the first page incorrectly titled For Your Eyes Only, crossed…

FootnoteAccording to the Sotheby's sale catalogue from 3rd December 1980, this work was executed circa 1882 and Francois Daulte refers to this drawing, in a letter dated 2nd December 1976, as follows…

FootnoteThis work is the second, final state, an extremely rare and unrecorded trial proof before the colour stones for the sky, grass and jockeys' trousers, (Wittrock knew of only four trial proofs)…

Condition reportOriginal canvas.  Flecks of dirt to the upper border, some traces of discoloured varnish.  Ultraviolet reveals no sign of retouching.

Condition reportSurface and ingrained dirt.Small brown marks/stains visible, most noticeable to face.Spots of paint loss, including to right edge of face and hair and top of hair/head.Not examined…

Condition reportThe sheet has decided edges; good, overall condition, cleaned and ready to hang.

The board is sound and paint surface in good, clean condition.  Ultraviolet light reveals no sign of retouching.

Condition reportThe canvas is relined.Generally appearance is good.Inspection under uv light reveals a diagonal line to upper left corner suggesting an old repair.

Condition reportThe board is sound and paint surface is in good, clean condition.  Ultraviolet reveals no sign of retouching.  Held in plaster frame in fair condition.