15 October | Old Master, British and European Art
FREDERICK HALL (BRITISH, 1860-1948) The Goose
Wednesday 15 October
Lots 1601- 1883 Old Master, British & European Art 11am
Live-This is a live auction with an auctioneer. Bidding is available in the room, online via BellmansLive, Telephone and Absentee bidding. Please register on our website by 12 noon the day before the auction. Additionally, the auctions are broadcast via The-Saleroom.com (+5% surcharge)
Viewing- Sussex Saleroom – Viewing is available on the day of auctions and
Thursday 9 October10am – 4.00pm & 5pm-7pm
Friday 10 October 10am – 4.00pm
Saturday 11 October 9am – 12.30pm
Monday 13 October 10am – 4.00pm
Tuesday 14 October 10am – 4.00pm
Wednesday 15 October 10am – 11.00am
Payment
Payment to be received by bank transfer or on collection by 22 October
Collections - Sussex Saleroom
We will be open for collections on sale days 9am -4.30pm and additionally
Thursday 16 October 9am – 4.30pm
Friday 17 October 9am – 4.30pm
Saturday 18 October 9am – 12 noon
Monday 20 October 9am – 4.30pm
Tuesday 21 October 9am – 4.30pm
Wednesday 22 October 9am-4.30pm
PICTURES & PRINTS CATALOGUE TERMS An explanation of catalogue terms in our opinion:
"Full name of the artist" - a work by the artist.
"Attributed to ..." - probably a work by the artist in whole or in part.
"Name and initial" - possibly a work by the artist.
"Studio of ..." - a work executed in the studio or workshop of the artist.
"Circle of ..." - a work of the period of the artist and showing his influence.
"Follower of ..." - a work executed in the artist's style, but not necessarily by a pupil.
"Manner of ..." - a work in the artist's style, but of a later date.
"After ..." - a copy (of any date) of a work by that artist.
"Signed ... Dated ... Inscribed ..." - the work has been signed/date/inscribed by the artist.
"Bears signature and/or date and/or inscription" - has been added by another hand.
"Artist's Resale Right / ARR" A royalty payable to a qualifying artist or the artist's heirs each time a work is resold during the artist's lifetime and up to a period of 70 years after the artist's death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer's premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer's purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale.
Buyers Premium 25% + Vat
signed with initials and indistinctly dated 'G S' (lower right)
on ivory (ref. DGGYZBBV)
4.2cm
with a lock of hair and inscribed 'GAGE D'ARMOUR' (to back of frame)
in a gilt-metal frame set with seed pearls and with a leather covered case
on ivory (ref. 9ZJDU62M)
7cm
with lock of hair and initials (verso)
signed 'Dubois' (lower right)
on ivory (ref. UZ5XV4HV)
8.5cm
on ivory (ref. Y6JELRYB)
7.3cm
in a gilt-metal frame, with a case
Provenance
Private collection, UK
on ivory (gentlemen ref. 7C1NH3YM), (lady ref. NZYPC8WN)
each 9 x 7cm
(2)
Provenance
Private collection, UK
initialled and dated 'JW 1835' (lower left)
on ivory (ref. 6HP9SWA3)
7cm
together with a portrait miniature of a boy holding a book, initialled and dated 'S. W. 1835' (lower right), on ivory (ref. FEN8T98F), 7cm
(2)
Provenance
Private collection, UK
pastel
52.5 x 37.5cm
Footnote
Nathaniel Parker Forth was a British Envoy to France in the late 18th century.
pastel
58 x 42cm
Provenance
Private collection, UK
titled and dated '1852' (lower centre)
watercolour
26 x 17cm
Provenance
Charles Plante Fine Arts, Georgetown, Washington;
Private collection, UK
signed and dated 'Mary Severn June 1860' (lower left)
watercolour heightened with white
39 x 28.5cm
Provenance
Private collection, UK
signed and dated 'Mary Severn 1857' (lower left)
watercolour heightened with white
29 x 22cm
together with a watercolour of a gentleman, attributed to Ann Mary Newton (nee Severn), 22 x 27.5cm
(2)
signed and dated 'Mary Severn 1860' (lower right)
watercolour heightened with white
31.5 x 31.5cm, tondo
Provenance
Private collection, UK
indistinctly signed with monogram (upper left)
watercolour and gouache
45 x 33cm
(unframed)
Provenance
Private collection, UK
signed and dated 'J Linnell fc 1838' (lower right)
watercolour and coloured chalks
46.5 x 59cm
Provenance
Sale, Christie's London, 12th April 1994, lot 29;
Property of a nobleman
signed 'AUG BOUVIER' (lower left)
watercolour heightened with white
17.5 x 13cm
Provenance
Bourne Gallery, Reigate, Surrey;
Private collection, UK
signed 'G G Kilburn' (lower right)
watercolour
25.5 x 36cm
Provenance
Sale, Christie's, Glasgow, 25th April 1996, lot 931;
Haynes Fine Art, Broadway, Worcestershire;
Private collection, UK
signed 'G. G. KILBURNE' (lower right)
watercolour
35 x 52cm
signed with monogram (lower right)
watercolour
30.5 x 20.5cm
watercolour on board
72 x 52.5cm
together with a preparatory study by the same hand, signed and dated 'a. Gardner King 12/94' (lower right), charcoal, 71 x 54cm
(2)
Provenance
Private collection, UK
signed and dated 'W Small 1876' (lower right)
watercolour
29 x 39cm
Provenance
Bourne Gallery, Reigate, Surrey;
Private collection, UK
signed and dated 'Riley Wilmer 1923' (lower left)
watercolour
18.5 x 25cm
Provenance
Sale, Gorringes, Lewes, 2nd September 2009, lot 2333;
Private collection, UK
signed and dated 'C. E. WILSON 1904' (lower right)
watercolour
28 x 19cm
Provenance
Sale, Gildings Auctioneers, Market Harborough, Leicestershire, 13th April 2010, lot 333;
Private collection, UK
watercolour heightened with bodycolour
24.5 x 35cm
Provenance
Sale, John Nicholson, Fernhurst, 1st March 2017, lot 79;
Private collection, UK
watercolour and gouache
13.5 x 18.5cm
Provenance
Private collection, UK