15 October | Old Master, British and European Art
FREDERICK HALL (BRITISH, 1860-1948) The Goose
Wednesday 15 October
Lots 1601- 1883 Old Master, British & European Art 11am
Live-This is a live auction with an auctioneer. Bidding is available in the room, online via BellmansLive, Telephone and Absentee bidding. Please register on our website by 12 noon the day before the auction. Additionally, the auctions are broadcast via The-Saleroom.com (+5% surcharge)
Viewing- Sussex Saleroom – Viewing is available on the day of auctions and
Thursday 9 October10am – 4.00pm & 5pm-7pm
Friday 10 October 10am – 4.00pm
Saturday 11 October 9am – 12.30pm
Monday 13 October 10am – 4.00pm
Tuesday 14 October 10am – 4.00pm
Wednesday 15 October 10am – 11.00am
Payment
Payment to be received by bank transfer or on collection by 22 October
Collections - Sussex Saleroom
We will be open for collections on sale days 9am -4.30pm and additionally
Thursday 16 October 9am – 4.30pm
Friday 17 October 9am – 4.30pm
Saturday 18 October 9am – 12 noon
Monday 20 October 9am – 4.30pm
Tuesday 21 October 9am – 4.30pm
Wednesday 22 October 9am-4.30pm
PICTURES & PRINTS CATALOGUE TERMS An explanation of catalogue terms in our opinion:
"Full name of the artist" - a work by the artist.
"Attributed to ..." - probably a work by the artist in whole or in part.
"Name and initial" - possibly a work by the artist.
"Studio of ..." - a work executed in the studio or workshop of the artist.
"Circle of ..." - a work of the period of the artist and showing his influence.
"Follower of ..." - a work executed in the artist's style, but not necessarily by a pupil.
"Manner of ..." - a work in the artist's style, but of a later date.
"After ..." - a copy (of any date) of a work by that artist.
"Signed ... Dated ... Inscribed ..." - the work has been signed/date/inscribed by the artist.
"Bears signature and/or date and/or inscription" - has been added by another hand.
"Artist's Resale Right / ARR" A royalty payable to a qualifying artist or the artist's heirs each time a work is resold during the artist's lifetime and up to a period of 70 years after the artist's death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer's premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer's purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale.
Buyers Premium 25% + Vat
oil on canvas
75 x 62cm
Provenance
Private collection, UK
Footnote
The original portrait by John Moir is in the National Gallery of Scotland, accession number: PG 207
oil on canvas
116 x 63cm
Provenance
The Artist, thence by descent to the present owner;
Private collection, UK
oil on canvas
24 x 19cm
Provenance
Eastman Johnson estate/Mrs. Eastman Johnson, New York, 1906 (by bequest);
Ethel Eastman Johnson Conkling Holden, her daughter (by descent);
Olga Louise Gwendolyn Conkling, her daughter, by 1940 (by descent);
Private collection, UK (by descent)
a near pair, the latter signed and dated 'H Jamyn Brooks/1912' (lower left); inscribed 'H J BROOKS' (on the upper stretcher bar verso); further inscribed 'Artist/ H Jamyn Brooks/ The Savage Club/ Adelphi Terrace WC/ Title lady Flannery' (on an old label attached to the stretcher)
each oil on canvas
one 239 x 147cm, 242 x 152cm
(4)
signed with initials 'E J' (lower right)
oil on paper laid on board
30 x 39cm
Provenance
Eastman Johnson Estate/Mrs. Eastman Johnson, New York, 1906 (by bequest);
Ethel Eastman Johnson Conkling Holden, her daughter (by descent);
Olga Louise Gwendolyn Conkling, her daughter, by 1940 (by descent);
Private collection, UK (by descent)