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A group of four prints, including 'Woman grinding coffee after van Gogh, a colour lithograph after Marie Laurencin, a colour lithograph after Joan Miro, and 'Le gens de Justice' signed H. Daunier.,…

John Myatt (b.1945), after Marc Chagall, Wedding flowers, hand finished print, signed and numbered 33/75 on reverse, 85cm x 67cm. ARR

After Jean-Ernest Aubert, Menu de l'Amour, oil on panel, inscribed, further inscribed on label verso, 26cm x 20cm.

After Frans Snyders, Birds in a landscape, oil on canvas, 89cm x 114cm.

John Frederick Tennant (British 1796-1872), Sunset After a Stormy Day on The Wharf, signed and dated '1866' (lower right), oil on canvas, 89 x 150cm.

After Moreau, a modern composite bronze female figure, partially clothed and seated on a rock, 64cm high.

After PEDRO FRIEDEBERG, a blue painted fibreglass seat in the form of an open hand, 65cm wide x 140cm high.

A small Japanese woodblock print after Hokusai, Journey through Tokaido, signed in pencil in the margin `Fukuroi', 11cm x 17cm, mounted, framed and glazed.

A group of five assorted pictures, including a watercolour of sheep in an orchard, signed A. Turner, two etchings by K. Vernon and R. Goff; a lithograph of 'Volunteer', the property of Lord Holland,…

Dorothea Wight (1944-2013), 'Oh to be in Devon now'; Balustrade, two, colour etchings with aquatint, both signed, inscribed and numbered, the larger 44cm x 37cm. (2)

A group of seven, including a signed photograph of Beryl Reid, a pair of tapestries depicting "Blue Boy" after Gainsborough and 'Pinkie' after Lawrence, three chromolithograph prints, a modern oil…

A group of ten assorted pictures and prints, including a reproduction after Picasso a chromolithograph of a town scene, two photographs of high rise buildings, a signed certificate and others. (10)

A group of three marine prints, including signed prints by Deryck Foster and Derek G. M. Gardner, and a reproduction after Montague Dawson. (3)

HIRST, Damien (b. 1965). I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now. London: Booth-Clibborn Editions, 1997. 4to (330 x 288mm). Coloured…

After Harry Hall, The Great Match, aquatint by Charles Hunt with hand colouring, 65cm x 113cm.

After Henry Fuseli, The Weird Sisters (Witches), mezzotint by J. R. Smith, 45cm x 56cm.

After George Edwards, Bird studies, a set of four engravings with hand colouring, each 23.5cm x 18.5cm, (4).

After Sir Joshua Reynolds, Lady Bampfylde, colour mezzotint by Thomas Watson; After John Raphael Smith, 'Retirement'; colour mezzotint by William Ward; After Richard Cosway, Mrs Fitzherbert, colour…

English School (20th century), 'Better be merry with the fruitful grape than sadden after none or bitter fruit', watercolour, gouache and pencil, heightened with gold, 43cm x 53cm.

Frank Brangwyn (1867-1956), Two Arabs on horses; Costers' Carts; The Morning After; A goodbye at their friend's departure overseas; A Discussion; A study of heads and faces, six miniature etchings,…

After Sir William Beechey, Portrait of Princess Elizabeth, oil on canvas, 60cm x 49cm.

After David Teniers, The money lender, oil on canvas laid on board, 40cm x 47cm.

A pair of bronze ewers, after the antique, late 19th century, cast with bacchanalian scenes of fruiting vines, putti and cherubs in various pursuits, on circular bases, 57.5cm high, (2).

After Queen Victoria, 'Islay and Eos', an etching of Queen Victoria's cairn terrier Islay, and Prince Albert's greyhound Eos, 6th state, initialled, dated, and titled beneath in the print 'V.K. From…