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'Snaffles' (Charles Johnson Payne 1884-1967), 'Oh! To be in England now that April's there', colour print, signed in pencil, 51cm x 67cm. ARR

Attributed to Edouard Dufeu (1840-1900), View of Constantinople, oil on canvas, bears a signature, 59cm x 48cm.

A Flight, Barr and Barr, Worcester, small two-handled shaped square dish, circa 1820, painted with a named view, Tomb of Napoleon, St. Helena, against a white and gilt seaweed ground and gilt…

'THE LION IN WINTER'. SECOND DRAFT SCRIPT (1967): Director of Photography, Douglas Slocombe's film script, 151pp. mimeographed typescript, bound in light purple card covers, cut out window showing…

'JULIA' , FIRST DRAFT SCRIPT, 1976: Director of Photography, Douglas Slocombe's film script, 145pp. mimeographed typescript, bound in burgundy card covers, titled in pencil on a paper label to front…

'PROMISE HER ANYTHING', FINAL DRAFT SCRIPT (1965): Director of Photography, Douglas Slocombe's film script. 122pp. mimeographed typescript, including 3pp. of script revisions printed on pink paper,…

POSTERS: two posters, including 'All You Need Is Love', The Story of Popular Music, EMI, Polygram, A Theatre Projects Film Production, the 17 part documentary series broadcast 1976 - 1980,…

JOHN LENNON, BAG ONE, 'PONTE SISTO' GALLERY, ROME, 1971: sixteen unbound sheets on ivory coloured textured paper, comprises title page, critical essay by Attilio Battistini, and fourteen…

Gail Altschuler (b.1957), Urbino VIII; Gingham Two VI; Aerial View IX; Horizon Line IX; Untitled, a group of five colour screenprints, all signed and inscribed monoprints, four unframed, four 82cm x…

Nicholas Hely Hutchinson (b.1955), Hill view; Moroccan Still life, a pair of colour lithographs, signed and numbered, each 46cm x 65cm.; together with a further colour lithograph 'Cadgwith Boathouse'…

Geoff Marsters (20th Century), Venice Light; View on the Thames, two, pastel, both signed with initials, both unframed, one 53cm x 73cm.; the other 72cm x 54cm.(2) ARR

OWEN, Richard (1804-92). An autograph letter, with signature excised, to an un-named academic recipient, one-page, on paper with heading printed in green, "Sheen Lodge, Richmond Park," dated "2nd…

Audubon's Birds of America, edited by Roger Tory Peterson & Virginia Marie Peterson. New York & London: Abbeville Press Publishers, 1990. Folio (382 x 300mm). Half title, double- and full-page…

STEARN, William Thomas (1911-2001). The Australian Flower Paintings of Ferdinand Bauer ... Introduction by Wilfrid Blunt. London: The Basilisk Press, 1976. Large folio (645 x 460mm). Half title,…

[DODGSON, Charles Lutwidge (1832-98)] i.e. "Lewis CARROLL". Alice's Adventures in Wonderland. London: Macmillan and Co., 1872. 8vo. Half title, wood-engraved frontispiece and illustrations by John…

GRAVES, Robert (1895-1985). Good-bye To All That. An Autobiography. London: Jonathan Cape, [1929]. 8vo (200 x 135mm). Half title, half tone frontispiece portrait of the author, 7 plates and maps…

PINKERTON, John (1758-1826, editor). A General Collection of the Best and Most Interesting Voyages and Travels in all Parts of the World; many of which are now first translated into English.…

[STOTHARD, Thomas (1755-1834, illustrator)]. Shakspeare's[sic] Seven Ages of Man. Hammersmith: W. Bromley, [plates dated January 24th, 1799]. Folio (457 x 285mm). Hand-coloured engraved pictorial…

VON PERCKHAMMER, Heinz (1895-1965, photographer). Edle Nacktheit in China. Berlin: Eigenbrodler-Verlag, [1928]. 4to (272 x 205mm). 31 full-page photographed illustrations by Heinz von Perckhammer.…

Morrison, a coastal view, watercolour, signed and dated 2008, 102cm x 152cm

George Hahn (20th century), View towards Sacre Coeur, oil on board, signed, 46cm x 35.5cm.

E. Rowe (20th century), View of a tramway, oil on board, signed, 32cm x 44.5cm.

John Stanton Ward (1917-2007), Harbour view, Rayello, watercolour, pen and ink, signed, inscribed and dated 1951, 27cm x 43cm.; together with a further work, by H.S. Bourne of a beach scene.(2) ARR

A group of three watercolours, including Emil Axel Krause (1871-1945), Cockle Gatherers; a 19th century view of a country house and Hylda M. Atkins, view of a bridge, various sizes.(3)