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Costume design for Cinderella, English National Ballet, Tall Sister
signed and dated 'David Walker 1995' (lower left) and inscribed (upper right)
watercolour and ink heightened with white
37 x 50.5cm…

Costume design for Guglielmo from Così fan tutte, possibly Glyndebourne production
signed 'Luzzati' (lower left) and inscribed (lower right)
crayon and charcoal
50 x 35cm
(unframed)
ARR

Stage design, possibly for Saraband for Dead Lovers (1948)
signed 'Michael Relph' (lower right) and inscribed (verso)
watercolour and ink heightened with bodycolour
56 x 73cm
ARR

Three boys
charcoal and pastel heightened with white
22.5 x 30cm
together with a pencil study of faces, 7 x 21.5cm; a red ink study of Mr Bannister as Ben in 'Love is Love', 21 x 15cm; and a…

Stage design for The Vikings (designed 1908)
signed with initials 'EGC' and dated '1925' (in lower margin)
woodcut print
8.2 x 7.3cm
together with four other woodcut prints by the same hand; Mr Tom…

Gertrude (c. 1929)
woodcut print
sheet 36 x 24.5cm
(unframed)
together with four other woodcut prints by the same hand, including Rosencrantz and Guildenstern; King and Queen, Claudius and Gertrude;…

Lucianus (c. 1929)
woodcut print
sheet 35.5 x 24cm
(unframed)
together with four other woodcut prints of figures by the same hand, (all unframed)
(5)
ARR

La Procession Nocturne
woodcut print
sheet 16 x 25cm
(unframed)
together with four woodcut prints by the same hand and a print 'A Poster' by another hand, (all unframed)
(6)
ARR

Of the Rocks I
signed, dated and titled 'Robert Armstrong 06' (verso)
oil on canvas
25 x 30cm
(unframed)
ARR

Provenance
Kevin Kavanagh Gallery

Together with an oil on canvas by another hand of an…

Antiques Roadshow, "I thought it might be a van Gogh"
indistinctly signed (lower right)
pen and ink
11 x 12cm

19th Century
By W. Marshall for Copeland, on green marble pedestal bases, Crystal Palace Art Union socle bases, 27.5cm high without pedestals, 38cm high with pedestals

Modern
Mounted on a pine question mark shaped stand, the Carrara marble shark modelled in motion, the stand 134 cm long (ARR)

Also including a burgundy velvet example with gilt tassels and a crewel work example, the largest, 58cm wide

1920'S
Of goblet form, the exterior decorated with butterflies against a mother of pearl lustre ground, the interior with a mottled orange ground, printed Portland vase mark, painted Z4832, 13.5cm…

Late 19th / Early 20th Century
Naturalistically modelled with lily flowers, ears of corn and bunches of grapes, raised on triform bases, 105cm high

Circa 1805
Painted and gilt with the `Waterlily' pattern, comprising a pair of soup tureens and covers, three sauce tureens and two covers, three sauceboats, four rectangular vegetable tureens and…

The ornamental vase of slender baluster outline, 23.5cm high; the other with tapering open neck, 14cm high; the octagonal tazza bowl raised on a cluster column support (small losses), 10cm high; and…

The ends, 24.5cm high; the octopus, 38cm high

Including various tiger conch shells, olivia porphyria shells, clams and tower snails, some mounted as boxes and one as a hen; Together with three terracotta clam shell shaped tazze and eight moulded…

Modern, After The Antique
With twin swan neck handles, 35.5cm high; Together with a pair of large green glass apothecary jars with lids, with etched marks to the body, 37 cm high

Circa 1930
With silver enamelled coffee bean spoons, Birmingham 1931, also including another another extra coffee can and two saucers, in a faux shagreen covered case, 38.5cm wide

Late 19th Century
With engine-milled front panel, enamel dial and Roman hours, with original travelling case, 13.5cm high

Early 20th Century
The fender, 158.5m wide, together with a pair of brass andirons with urn finials, 33cm high, a set of three fire tools with pommel finials, and another set of tongs with urn…

20th Century
48cm high; Together with a 19th century European parcel-gilt painted pine Corinthian column, 73cm high, and a duck egg blue and grey painted ornamental stacking pagoda, 92.5cm high