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JOHN ROGER ARNOLD, No. 393A Regency mahogany brass-mounted eight-day marine chronometerBy John Roger Arnold, London No. 393, circa 1812The two-tier case with lift-up inset cover with circular glazed…

An M. E. Jubilee glazed mahogany electric wall timepieceBy Sydney Creamer, dated 2002, after the design by E. T. WestburyFollowing the patterns and instructions published by John Wilding, with 43in.…

A mahogany longcase clockBy John Groom, Colchester, the movement circa 1710, the case laterThe moulded pediment, above a pair of baluster-turned coulmns flanking the dial door, the trunk inset with…

A Queen Anne walnut Longcase clockBy John Trubshaw, London, early 18th Century and laterThe rising hood with a moulded pediment above a fret panel, with glazed aperture flanked by turned three…

A George III mahogany dial timepieceBy John Morgan, LondonWith cast-brass bezel and 12in. painted wooden dial, unusually with seconds subsidary and piereced latten hands, the fusée movement with…

A late George II / early George III mahogany dial timepieceBy John Harris, LondonThe case with a moulded glazed mahogany bezel, with 9in. silvered circular dial, Roman numerals and Arabic five-minute…

A mahogany tavern-style timepieceBy Sydney Creamer, to a design by John Wilding, circa 2000Lacking octagonal dial, the movement with anchor escapement, (weight and pendulum).

A brass pin-wheel escapement modelAfter Galileo and Vivani, By Sydney Creamer, to a pattern by John Wilding, circa 199029cm high

After John William Hill, New York, aquatint by Himly, 85cm x 133cm. Illustrated.

John Piper (1903-1992), Capesthorne Hall, colour screenprint, signed in pencil, 64cm x 101cm. DDS Illustrated.

John Piper (1903-1992), Waddesdon, colour screenprint, signed in pencil, 67cm x 101.5cm. DDS Illustrated.

John Piper (1903-1992), Harlaxton (Blue), colour screenprint, signed in pencil, 61cm x 105cm. DDS Illustrated.

John Piper (1903-1992), Swansea Chapel, colour screenprint, signed and numbered 11/75 in pencil, unframed, 69cm x 51cm. DDS

John Bellany (1942-2013), The Ventriloquist, watercolour with etching, signed and inscribed, further signed and dated '86 with etching, 54cm x 37cm.Provenance: with Royal Academy, London where…

John Hoyland (1934-2011), Window Genie, colour silkscreen with woodblock, signed, dated 1997 and numbered 17/75, 58cm x 47cm. DDS

John Hoyland (1934-2011), Encircling stone, colour etching, signed, dated '86 and numbered 36/40, 27cm x 25cm. DDS Illustrated.

John Wells (1907-2000), Abstract, colour lino cut, signed and dated 1971 to mount, numbered 2000/8D, 10cm x 34cm. Illustrated. DDS

John Yardley (b.1933), The white statue, Venice, oil on board, signed, 34.5cm x 44.5cm. DDSIllustrated.

John Henderson (1860-1924), Figures before a crofter's cottage in a landscape, oil on canvas, signed, 44cm x 74cm. Illustrated.

John C.Partridge (19th century), A horse drawn trap in a park, oil on canvas, signed and dated 1879, 44cm x 75cm. Illustrated.

James John Hill (1811-1882), A spring headdress, oil on canvas, circular, signed, 66cm x 66cm. Illustrated.

Attributed to John Riley (1646-1691), Portrait of a gentleman, oil on canvas, 74cm x 64cm. Illustrated. A/S

An 18ct gold cased, keyless wind, openfaced lady's fob watch, the gilt movement detailed John Bennett, No 15474, 18ct gold inner case, the silvered dial with engraved decoration and with black Roman…

John Loker (b.1938), Dangerous Games I, colour screenprint, signed, inscribed and dated '88, 72cm x 88cm. J1