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Attributed to Sir William Russell Flint (1880-1969), Wooded landscape; View of a ruined Abbey, two, pencil sketches, bear initials, each 19cm x 27cm.(2) DDS

Annabel Gosling (b. 1942) View of a Mill in Charente, France, oil on canvas, signed, 74cm x 94cm. DDS AFTERSALE

Francis Helps (1890-1972), View from Pool Bank, oil on canvasboard, inscribed on label verso, 13cm x 37cm. DDS

Blanche Augustine Camus (1881-1916, View of the coast, oil sketch on panel, stamped and inscribed on label verso, 20cm x 11cm.Provenance: with Donatella Geddes, Addison Fine Art

Circle of William James Muller, View of Richmond Bridge, oil on canvas, 48cm x 61cm. Illustrated

A George II needlework card table cover, on a green ground, the centre woven with cards and 'fish' within a foliate border in polychrome colours, with four later sections woven to match in the wells,…

A tall Chinese blue and white vase and a cover, late 19th century, of slender ovoid form, painted with an official seated with attendants, 41cm. high

A pair of gold mounted reverse painted intaglio crystal cufflinks, each intaglio painted with a differing view of a horseman jumping a fence, the connecting bars detailed 14 K. Illustrated

John Edwin Blake (20th century), A view of Streamfield, Maplehurst, Sussex; Amberley Castle from the Wildbrooks, two watercolours, both signed with initials, the larger 26.5cm x 35.5cm.(2) L1

F. Vingoe (early 20th century), View of a cottage, oil on canvas, signed and dated 1903, 24cm x 34.5cm. J1

A group of three watercolours, including two mountain scenes, circle of John Ruskin, and a view of Hastings.(3) H1

A 20th century keystone view oak photographic slide cupboard, with panel door revealing twelve drawers. D4

A group of three watercolours, including a view of a ruined abbey by M. B. Bigland; a Continental town scene by Cyril Hardy and a cottage scene, unsigned.(3) F1

C** R** (19th century), Interior view of a Tudor Long Gallery, watercolour, signed with initials and dated 1845, 31cm x 40.5cm.

Percy Frederick Horton (1897-1970), Downs with old Chalk pits, View of a cottage through trees, two, oil on canvas, both inscribed on reverse, unframed, the larger 56cm x 69cm.; together with an oil…

Rev. James Bourne (1773-1854), View of a castle through tress, monochrome watercolour, 27cm x 41cm.

Circle of Clarkson Stanfield, View of Santa Maria Della Salute, Venice, with the Giudecca beyond, oil on canvas, 52cm x 42cm.

Three silver vesta cases, Birmingham 1900, Birmingham 1921 and Chester 1901, a plated vesta case with a crown finial, otherwise decorated with a view, detailed Blackpool, another vesta case, a…

Charles Bone (20th century), Wooded scene, watercolour, signed, 72cm x 51.5cm; together with a red chalk view of Florence by another hand.(2) A7

David Vulliamy (20th century), View of a farm; landscape with houses, two watercolours, one with pen and ink, both signed, each 31cm x 48cm.(2) G9

WORLD WAR 2 - Holocaust, an archive of letters & documents relating to the Sekler family of Vienna. the father, Dr. Leopold Israel Sekler, a high official in the Austrian Treasury & his wife Toni…

After Thomas Daniell, South East View of the Fort at St George, Madras; Western Entrance of Fort St George; Part of the Black Town, Madras; The Armenian Bridge, near St Thomas' Mount, Madras; The…

Circle of John Constable, View of a windmill, Possibly Wimbledon Common, pencil and wash, bears inscription and date on reverse, unframed, 17cm x 11cm.

A Japanese ivory netsuke, early 20th century, carved with three figures including Hotei and Daikoku, signed, 4.5cm. high; also an ivory netsuke of a traveller with walking stick and sack, signed, 5cm…