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The case: with rising hood, moulded pediment above a pierced sound fret, the square glazed dial aperture flanked to each side by a Solomonic handed column and with a quarter-column to the back, above…

The case surmounted by an urn, above the 3 1/2in. white enamel dial with Roman numerals and signed 'Leroy Paris', with silk suspension, striking on a bell, the backplate stamped ‘Medaille D'Argent…

The case mounted with giltmetal foliate panels, with domed top and foliate-cast scrolled handle, with four finials, the 6 3/4in. square brass dial with cast mask spandrels, signed silvered chapter…

Top later veneered, now with split, no key, metal lined with partitions removed, see photos.

Condition report: Two are different with differing shaped scroll backs and pierced seats. One of which is quite rusted with holes. Please see extra images on www.bellmans.co.ukThe other four with the…

Height from floor to the top 80cm high.Heights from floor to the underneath of pelmet 61cm.Yes, a diner can sit at the table with their legs under the tableThe table top splits into three sections,…

Please note measurements are now correct.The table has been heavily restored and re-polished, the top now with minor scuffs, will need another polish, two extra leaves later, structurally good.

Condition report: The printed picture was laid on to canvas and is now lightly lifting to one side, with wear to the edges. Various chips and losses to some of the beaded moulding. Gilt lacquer…

The seats are 50 cm wide along the front rail. 43 cm deep. The carver is 51.5cm wide along the front and 52cm wide including the arms. Condition report: Numerous old repairs to all chairs, notably…

Damp stains to inner borders of base of the box, the wooden lining is in otherwise good condition, hinge to box in good condition, dent to front of lid, see photo, otherwise one or two small dents,…

Both plates have knife and fork marks from use, these are now fairly polished, further buffing would no doubt remove them successfully.  The crests are a bit worn but still discernable, marks good

9ct gold mounted cameo; cracked around 4 o'clock in a few places, the cameo has probably been repositioned into the mount, slight wear to high points of shellCameo pendant brooch with plain setting;…

-The Little Ballerina, 1947: 39 black and white stills comprising 16 vintage stills, two of which feature Margot Fonteyn and 23 later prints, seven of which feature Fonteyn, in original brown paper…

Two film scripts, one a ‘Shooting Script’, 117 pp. of mimeograph typescript in red card covers, the front cover printed in black italic script Carve Her Name With Pride, unannotated; a ‘Final…

Literature: Nourmand, Tony Film Posters of The 60s, Aurum Press, LondonCondition Report: After removing the poster from the frame we have discovered that it is stuck to a board. Fold lines visible,…

Including:- A film script, the title page dated 14 April 1965, 122 pp. of mimeograph typescript on white and pale blue paper, 32 pages with minor amendments in Gilbert’s hand in either ballpoint pen…

An important series of letters between Bill Naughton and Lewis Gilbert, comprising five one-page autograph letters from Naughton to Gilbert, all on Park-Sheraton Hotel New York headed stationery, one…

A large quantity of production related paperwork, 1963 – 1971, contained within two green card filing cabinet hanging files, both files with original typescript tabs Alfie, containing letters from…

An early mimeographed typescript of Ronald Hardy’s treatment for the screenplay, entitled The Spy Who Loved Me, Ronald Hardy, undated [but pre 5 Nov. 1975], 126 pp. [p.121missing] in blue card covers…

Two separate mimeographed typescripts of Richard Maibaum’s screenplay, both different versions; one entitled The Spy Who Loved Me, Draft Screenplay, Richard Maibaum and dated Nov.5,1975, 154 pp. in…

A mimeographed typescript of Lewis Gilbert’s dictated summary of the story entitled The Spy Who Loved Me, Story Outline No:1, (Dictated by Lewis Gilbert at a meeting on 5.Apr,76.), nine unbound pp.…

Two separate mimeographed typescripts of Christopher Wood’s screenplay, both similar versions,  the earlier one of the two an incomplete script missing the final 29 pages, entitled The Spy Who Loved…

Lewis Gilbert’s mimeographed typescript shooting script entitled The Spy Who Loved Me, Revised Final Shooting Script with copyright details Copyright of Danjaq S.A., dated 23 August,1976, the title…

Thirteen original photographic reproductions of storyboards for Scenes 176 – 206, the film’s most spectacular chase sequence on death-defying coastal roads featuring Bond driving Q’s specially…