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A George II longcase clock movementBy John Jones, London, circa 1705The 11in. square brass dial with twin cherub and Maltese Cross spandrels, enclosing a silvered chapter ring, signed about the VI,…

A miniature brass verge lantern timepiece with alarm In the late 17th century style, inscribed John Knibb, OxonOf usual form, with a turned finial and strapwork above the bell, and a further finial…

A William III brass lantern clockSigned John Clowes, London, circa 1690 With later finial above the bell-strap and bell, four turned finials above the posted frame, anchor escapement and countwheel…

A George III ormolu-mounted, mahogany and satinwood crossbanded quarter chiming three train bracket clockBy John Thwaites, Clerkenwell, London, No 2697, circa 1801The arched case with triple…

A giltmetal-mounted ebonised table clockTh movement inscribed John Berry, LondonThe case with a bell top surmounted by a brass carrying handle, above front door with arched glazed panel, with glazed…

A George III ebonised bracket clock with alarmBy John Leroux, LondonThe arched case with a pineapple finial and moulded cornice, the 5 1/4in. dial signed J. Leroux, London, in the arch with silvered…

A giltmetal-mounted quarter repeating ebonised bracket timepiece By John Ebsworth, London, the movement late 17th century, in a replica caseThe case with a domed top above scrolled handle and pierced…

A rare Chinese ormolu and paste-set mantel clock In the style of John Mottram or Henry Borrell, case and movement Guangzhou workshops, 19th centuryThe case with an arched pediment and turned finial…

Follower of Samuel Prout, Basle, watercolour, bears signature and inscription, 31cm x 22cm.; together with a further town scene attributed to John Skinner Prout.(2)

Samuel John Lamorna Birch (1869-1955), Wareham, watercolour over pencil, signed, inscribed and dated 1939, 22cm x 28cm. ARR

Frederick John Widgery (1861-1934), Nr Cawsand Beacon, Dartmoor, gouache, signed, 24.5cm x 35cm.

John Cyril Harrison (1898-1985), Pheasants in flight, watercolour, signed, 46cm x 32cm. ARRIllustrated

John Cyril Harrison (1898-1985), Woodcock in flight, watercolour, signed, 46cm x 32cm. ARRIllustrated

John Ford (20th century), Untitled (nude), mixed media, signed and dated 1969, 75cm x 50cm. ARR

John Ambrose (b.1931), Santa Maria della Salute, Venice, oil on canvasboard, signed, 80cm x 121cm. ARR

Attributed to John Noel Smith (b.1952), Untitled, oil on canvas, bears a signature and inscription on the reverse, unframed, 100cm x 90cm. ARR A/S

John Falconar Slater (1857-1937), Landscape near the coast, oil on board, signed and dated 1927, 55cm x 79cm.

Attributed to John Henry Boel (fl. 1889-1912), Highland loch landscape, oil on canvas,bears a signature and date 1909, 49.5cm x 75cm.

John Whitlock (b.1913), Portrait of a young woman, oil on canvas, signed and dated '49, 90cm x 70cm.

John Crawford Wintour (1825-1882), 'Appil Wood, Sutherland', oil on canvas, signed; signed, titled and inscribed with artist's address on artist's label on stretcher, 44cm x 59cm.Provenance: Anon.…

John James Hill (1811-1882), Mother and child, oil on canvas, signed, 59cm x 49cm.

A Victorian gold and half pearl set presentation stick pin, mounted to the centre with an oval photographic portrait of John Brown, within a surround of half pearls, detailed to the back J.B.27th…

John Sutton (b.1935), Autumn day near Shoreham, Kent, oil on canvas, signed, inscribed on reverse, 29.5cm x 40cm. ARR

John Denahy (b.1922), The River at Woolwich, oil on canvasboard, 34cm x 43cm.