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BIBLE [Bishop's Version, second quarto edition]. The holie Byble. pictorial engraved title, NT. title (dated 1573), the 4 maps, (etc.), (539.) ff. (without the 40 prelim. leaves, & lacks the final…

COX (Capt. H.) Journal of a Residence in the Burmham Empire, and more particularly at the Court of Amarapoorah. First Edition. hand-coloured folded frontis. & 4 coloured plates; old half calf & grey…

After Thomas Daniell, South East View of the Fort at St George, Madras; Western Entrance of Fort St George; Part of the Black Town, Madras; The Armenian Bridge, near St Thomas' Mount, Madras; The…

Circle of John Constable, View of a windmill, Possibly Wimbledon Common, pencil and wash, bears inscription and date on reverse, unframed, 17cm x 11cm.

A Japanese ivory netsuke, early 20th century, carved with three figures including Hotei and Daikoku, signed, 4.5cm. high; also an ivory netsuke of a traveller with walking stick and sack, signed, 5cm…

Graham Mervyn (20th century), View of a farm, oil on board, signed and dated '72, 44.5cm x 53.5cm. J1

An Australian landscape by Marshall Hughes; a South African view by Robert Pohl, and a woodblock print by Isaac Nkoana, (3). H1

Hercules Brabazon Brabazon (1821-1906), A view of Constantinople, watercolour, signed with initials, 23.5cm x 31.5cm. Illustrated

Thomas Henry Gibb (1833-?), View from the Staple Island near the Pinnacle Cliffs, Farne Islands, oil on canvas, signed, inscribed and dated 1879 on reverse, 60cm x 75cm.

Robert Edward Morrison (1852-1925), View of a bridge before a hillside town, oil on canvas, signed, 30cm x 40cm.

An unusual Gustavsberg blue and white printed oval vegetable tureen and cover, 1830's, the cover printed with a titled view `Abbothsford', the tureen printed with a river landscape, (a.f),impressed…

An English porcelain rectangular plaque, 19th century, painted with a still life of fruit and flowers within a gilt border, pierced for hanging, 14cm x 18.5cm; and a porcelain plaque painted with a…

A group of blue and white printed earthenwares, circa 1820-40, comprising; a fruit bowl with titled view `A View of Belvidere near Windsor', 26.5cm. diameter; a Chetham & Robinson square fruit bowl…

A Herculaneum blue and white earthenware blue and white circular stand, circa 1830, printed with a titled view of Worcester, impressed and blue printed marks, 31.75cm. diameter; also an oval blue and…

English School (early 19th century), View of Beachy Head; View of Derby's Hole, near Beachy Head, two, watercolour and pen and ink, the larger 18cm x 29cm. (2) E1

A group of four, including 'The Paddock at Epsom, Spring meeting' after Munnings, two engravings of marine subjects, and a view of Southwold, Suffolk. A3

After Snaffles (Charles Johnson Payne) The finest view in Europe; The worst view in Europe; The Grand National, three reproduction prints. H10

A group of five, including a print by Thomas Bush Hardy, a pair of ink drawings of boats at sea, a pencil harbour scene and a print of a view in Kashmir.(5) A6

A group of seven watercolours and one oil, including an Alpine lake scene, a church interior, a View of Rome, a Coastal town (over a printed base) after Ebenezer Wake Cook and others.(8) B9

Continental school (19th century), A view of Lake Como, watercolour over a printed base, 50cm x 69cm. (original ref. 94548959/13)

Frederick W.L Stockdale (fl. 1803-1848) View of Tregothnan, Truro, Cornwall, watercolour, 20.5cm x 28.5cm.

Manner of Gianni, Distant view of St Marks, Venice, oil on board, oval, 16.5cm x 20.5cm.

Attributed to Sarah Renard (née Mermod, 19th century), Alpine lake view, oil on canvas, bears inscription on stretcher, 25cm x 39cm.

A 17th century and later oak court cupboard, with turned columns about various carved panel doors, 149cm wide x 175cm high x 55cm deep.