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By Daniel Delander, London, circa 1720

By George Lindsay, London, circa 1760

The signed silvered dial with gilt baton hour markers, date aperture, gilt hands and with centre seconds, on a 9ct gold woven mesh link bracelet, having a foldover clasp, length 18.5cm, case diameter…

The black reeded dial with single-cut diamond hour markers and date aperture, fitted on a 18ct gold nautilus strap with fold-over clasp, case width 26mm, gross weight 83 grams, model reference 4700…

Circa 1950s, the signed cream dial with gilt Arabic numerals and lance style hands, case diameter 33.7mm, fitted on a brown leather strap

Of oval form, the drop shaped articulated centre collet set with the principal cushion shaped sapphire (estimated weight 1.05 carats) , further set with sapphires and pale blue gems, width 3.5cm,…

With solid open and closed curb design links, with two swivel clasps, detailed 9 ct, length of chain including the swivels 50cm, 9 ct gold, gross weight 85.7 grams

Set with five old cut diamonds and eight small rose cut diamonds in-between each stone, (total estimated diamond weight 2.73 carats), set in a carved half hoop mount, mark indistinct, gross weight 4…

Crouching Fawn
originally conceived in 1913; cast circa 1918-1939
bronze
24.5cm high x 30cm wide x 13cm deep

Provenance
Miss Jeanne Courtauld (1909-2003), daughter of Major John 'Jack' Courtauld MC …

Forms on a Bow
signed and dated 'Eduardo Paolozzi Dec. 1948.' (lower left)
watercolour
33 x 44cm
ARR

Provenance
Gifted to Rachel Severne, of Shakenhurst Hall, Cleobury Mortimer, by the artist, a…

Rain Effect, London
signed 'Ken Howard' (lower right)
oil on canvas
152.5 x 183cm
ARR

Provenance
Acquired directly from the artist by the present owner in 2006

Exhibited
London, Royal Academy…

20th Century
The circular glass lantern surmounted with a gilt-brass frame, with rope twist swags and bows, 78 cm high

Early 20th Century
The frame with twisted uprights interspersed with open twist uprights, with beige upholstered cushioned seat, 204cm wide x 51cm deep

The indigo field with two madder chicken medallions with banded side design, a madder boteh border 174cm x 152; And an Indian red and orange flatweave mat

The natural field with three diamond medallions in a banded surround; an ivory square and tulip head border 420cm x 98

The madder field with two indigo medallions, all with flower motifs 201cm x 161

The ivory field with a madder pole medallion, dark and light indigo spandrels all with abundantly floral sprays, a madder palmette and floral vine border, 203 cm x 134 cm

The madder field with a dark indigo shaped medallion, matching spandrels all with floral sprays; dark indigo floral border with vases of flowers encroaching in to centre. 1920s 190x136 cm

1900s. The dark indigo field with an allover Herate design, ivory spandrels; an ivory rosette and vine border. 528 x 104cm.

The ivory field with a central rosette, palmettes and allover floral sprays; a madder palmette rosette and floral spray border, 206cm x 130

The indigo field with two triple sets of ivory diamonds all abundantly filled with chickens; an arrow border 286cm x 216

Jelleys Hollow Part I 20th Century
Each with open-scroll frames on quadripartite bases; the candlesticks 76cm high; the candelabra, 55.5cm high

Late 19th Century
The enamel dial with Roman hours, twin-train movement, count wheel strike on bell, with JAPY FRERES seal, pendulum, 39cm high

Jelleys Hollow Part I Late 19th / Early 20th Century
Inscribed to the cast ‘Moigniez’, on green marble base, base 59.5cm wide