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J. Paulo (20th century), Town view, oil on canvas, signed, 19cm x 27cm. I1

A group of four 20th century oils, including poultry in a barn, figures in boats, a view of a farm and a folk style picture of a figure on a path by a church.(4) I1

English School (20th century), View of a Mediterranean church, oil on canvas, 40cm x 50cm. F1

A quantity of architectural fragments, to include; acanthus leaf carved white marble frieze fragment, part rear view of a child and part antique fragments of sections from legs, (qty). Property from…

A Chinese inside painted glass snuff bottle signed Tang Zichuan, early 20th century, painted on one side with two figures in a sampan , another seated on a rocky outcrop, the reverse painted with a…

Manner of Thomas Rowlandson, A lady looking at her reflection in a glass, pen, ink and sepia wash, bears a signature, 25cm x 20cm.

Madeiran School (19th century), Quinta with figures; View from a Quinta towards the sea, a pair, gouache, each 43cm x 65cm.(2)Property from the estates of the late Adrian Stanford and Norman St John…

An early 20th century walnut jewellery box, the lid revealing a fitted interior over a glazed drop front enclosing drawers, 23cm wide, together with a miniature Japanese chest of six various drawers,…

A framed and glazed film poster for; 'A View To A Kill' together with a group of James Bond collecting cards. GA

Claude Hayes (1852-1922), Springtime, watercolour, signed, 17cm x 25cm.; together with a view of Dartmoor by Edwin Holman, (2). E1

A Berlin porcelain plate, early 19th century, well painted with a view of Mount Vesuvius erupting , titled in black script `Eruption du Vesuve, le 18. Juin 1794', with blue painted sceptre mark,…

Cornelius Pearson (1805-1891), Llanberis lake, Caernarvonshire; View of the Traeth Mawr, near Portmadoc, a pair of watercolours, both signed and dated 1870, each 21cm x 41cm.(2)

Continental School (19th century), View of Greenwich, oil on canvas, 19cm x 24cm.

After Algernon Stuart Douglas, Off to the meet; From scent to view; The finish of the run; Homewards, four prints with hand colouring, (4).

Manner of Joseph Mallord William Turner, View of Loch Lomond, watercolour, 24cm x 37cm.

Oliver Hall (1859-1967), View of a barn, watercolour, signed, 23cm x 25.5cm.; together with a further similar watercolour attributed to the same hand, both unframed.(2) DDS

William Miller Frazer (1864-1961), View near Stalham, Norfolk, oil on board, signed, 27cm x 34cm. DDS

Rachel Nicholson (b.1934), View with red flag, acrylic on canvasboard, signed, inscribed and dated July 1996 on backboard, 35cm x 45cm. DDS Illustrated

Victor Brockdorff (1911-1992), Park view, oil on canvas, signed, 57cm x 77cm. DDS

Follower of John Constable, View in Essex, oil on board, beatrs an inscription on the reverse, 15cm x 20cm.

A lady's silver and enameled circular powder compact, the cover decorated with enameled signalling flags from A-Z fitted with a mirror within, Birmingham 1951 and a German enameled square hinge…

B. R. Moberly (20th century), Fort Agra fron the Taj Mahal; View through at archway, two watercoloutrs, both signed, one dated 1939.

William MORLEY - A Plan of the Scituation (sic) of the Ancient Borough of Haslemere within the Country of Surry . . . 50 x 45cms., hand-coloured birds-eye view of the town, showing the 84…

Anthony Devis (1729-1817), Cattle Grazing in the park of a Country House, pen and grey wash, 22.5cm x 31.5cm.; Together with a view of a castle by the Rev William Gilpin.(2)