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John Robert Keitley Duff (1862-1938), Sheep on a moor; View of a building, possibly an Assembly Room, two watercolours, one signed, both unframed, the larger 26cm x 36cm; together with a further…

A group of six engravings with hand colouring, including views of Westminster and St Paul's after Andrews, a view of West India Dock after T. King, a view of Wet Docks from Blackwall, The Royal…

Circle of Joseph Farington, View of a country house through trees, watercolour, 26cm x 36cm.

James Baynes (1766-1837), View near Kirkby Lonsdale, watercolour, signed, 24cm x 34cm.; together with a further small watercolour of a barn by George Barret.(2)

Circle of William Gillies (1898-1973), Coastal scene, oil on canvasboard, bears a signature and date, with a view of trees verso, 40cm x 50cm.

Carl Henrik Koch Moller (1845-1920), Woodland view in early spring, oil on canvas, signed and dated 1919, 64cm x 99cm.

A. Horsley Hinton (19th century), View across a bridge, oil on canvas, signed and dated '87, 45cm x 35cm.

A large quantity of magic lantern glass slides, early 20th century, various mixed sets, all from 'Kexstone View Co.', each labelled, including; mainly American industrial scenes; also similar scenes…

Vintage film posters - " A Nightmare on Elm Street", New Line Cinema from Palace Pictures,1984, UK Quad, artwork by Graham Humphreys, 76 x 101cms; " A View to A Kill", Eon Prods., 1985, U.S. one…

A Chinese straw glazed pottery model of a recumbent dog, probably Tang dynasty, the animal looking straight ahead, 10cm. length, later wood stand.Provenance: with John Sparks, London, according to…

A 20th century wooden 'Wine Bar' advertising sign, with carved decoration, 40cm wide x 60cm high, and a 20th century advertising sign for 'The Coffee Connection', 60cm wide x 40cm high, (2). B10

Follower of Thomas Girtin, View of a cathedral city, possibly York, watercolour, 25cm x 40cm. L1

A group of five 20th century watercolours, including a view of Chichester Harbour; Bosham; Westminster; A river scene and a canal scene.(5) J1

Circle of Charles E. Buckley, View of a country house, watercolour, 17cm x 25cm; together with a further watercolour by another hand of a boat on the shore, (2). K1

A 20th century 'L.M.S' advertising sign street view of Edinburgh, signed 'E. Whatley', 115cm wide x 95cm high. A8

Arthur Gordon (1883-1944), A Stag Park; Landscape with distant view of Windsor Castle, two watercolours, one signed and dated 1882, the larger 31cm x 42cm.(2) G1

Charles Madden (20th century), View of an Italian walled town, watercolour, signed and dated '75, 31cm x 49cm. E1

After J. W. Paine, Design for the Royal Exchange; After J. Chapman, View of the outside of the Royal Exchange, two engravings with hand colouring, the larger 46.5cm x 48cm, (2). A5

A group of six, including an oil of a loch scene, a watercolour view of a shop front signed Tester, a watercolour of a lighthouse by moonlight by W. E. Atkins, an oil of a beached boat on the shore,…

[Scott, W.] The Life of Napoleon Buonaparte . . . with a Preliminary View of the French Revolution. First Edition, (2nd issue), 9 vols. errata slips; near contemp. half calf & marbled boards, gilt…

Attributed to Peter de Wint (1784-1849), View of a riverside castle, watercolour, 33cm x 45cm.; together with a further landscape attributed to the same hand.(2)

Attributed to Sir William Russell Flint (1880-1969), Wooded landscape; View of a ruined Abbey, two, pencil sketches, bear initials, each 19cm x 27cm.(2) DDS

Annabel Gosling (b. 1942) View of a Mill in Charente, France, oil on canvas, signed, 74cm x 94cm. DDS AFTERSALE

Francis Helps (1890-1972), View from Pool Bank, oil on canvasboard, inscribed on label verso, 13cm x 37cm. DDS