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A group of eight watercolours and drawings of landscape views, including a view towards Ventnor attributed to William Collins, a pair of Lake District views by Appleton, and an ink view, circle of…

Jacob Adams (20th century), View from Twickenham, pastel, signed, 87cm x 63cm.Submitted to the Royal Academy 1989.Together with a colour print of tulips by Kate Canning, and El Puppa by Lyn Murray.(3…

G.W.R Thompson, A view of Wisborough Green, oil on board, 45cm wide x 37cm high. CAB

After David Roberts, Ruins of Kom Ombo; General view of the Ruins of Luxor from the Nile; Libian chain of mountains from the Temple of Luxor; Alexandria, four lithographs by Louis Haghe, with hand…

Circle of George Cuitt, View of Trentham Hall and Park, oil on canvas, 67cm x 89.5cm.Trentham Hall was remodelled from 1833-42, designed by Charles Barry. It was demolished in 1912-13. Illustrated.

A Chinese blue and white sleeve vase, painted in transitional style with five Immortals looking up at another riding on the back of a bird in flight, 41cm. high.

Berenger Benger (1868-1935), Village scene; View of a church across fields, two watercolours, one signed, each approx 24cm x 35.5cm.(2) I1

A group of seven prints and engravings, including three Vanity Fair prints, 'A Leicestershire Burst' after C. Lorraine Smith, A Perspective view of the Bank of England; The South Front of the British…

A group of six 19th century watercolours and drawings, including a goatherd near ruins by William Bulkley; The Convent of San Gregorio, Messina; a view of a Colonial house and others, four unframed.…

A group of assorted 20th century pictures, including two oil harbour scenes, one signed J. Gatley; an oil Italian coastal scene signed Sanna; a pen, ink and wash drawing 'The Skipping Rope'; an oil…

A group of three watercolours, including a view of a windmill by William Hyams; a harbour scene by Frances Nesbitt, and a view of a riverside town by F. E. Jamieson.(3) D1

English School (19th century), View of the Tower of London, watercolour, 24cm x 34cm. F1

A group of three watercolours, including cattle resting in a coastal landscape by Walter Bothams, an Italian coastal view, and a view of Venice by a follower of Thomas Bush Hardy.(3) D1

REGENTS PARK PANORAMA - accordion style, panoramic view, folded into 8 parts, contained within oblong morocco backed binding, 15cm. x 26cm., ca. 1835; with a small collection of ephemera items, 1 x…

J Heine Kummer and Dopler, New York: A Birds Eye view, engraing by Himly, 1851, 70cm x 99cm.

A group of six, including a pair of hand coloured engravings of Roman ruins, after Berthault, a pair of Italian Peasant studies, a View of Reading and a watercolour Coastal scene, (6). I1

A pastel view of Piccadilly Circus, together with a landscape at dusk by John Halliday, the larger 24.5cm x 30cm, (2). Provenance; Property from Prudence and the late Marius Goring, CBE. H1

Attributed to John Joseph Cotman (1814-1878), View along the riverbank, watercolour, indistinctly inscribed, 25.5cm x 38cm. Aftersale

Dutch School (17th/18th century), View of a Mill on a River, oil on panel, 23cm x 36.5cm.

A pair of large Middle Eastern damascened metal storks, each bird standing looking straight ahead, 95cm. high.

George Gale (20th century), A political cartoon depicting Edward Heath referring to Mrs Thatcher's difficulties with the EEC: 'Well I did warn them about allowing women into the Club', signed, 24cm x…

George Gale (20th century), a political cartoon depicting the Lib-Lab pact with James Callaghan, David Steel and Denis Healey, pen and ink, signed and inscribed, 28.5cm x 40cm. L1

Albert Malet (1905-1986), Landscape view of Rouen, oil on canvas, signed, 37cm x 54cm.DDS

A good Meissen porcelain cabinet plate, second half 19th century, painted with a titled view, Meissen, inside a gilt frame against a cobalt blue ground, the pierced rim picked out in gilding and…