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With a house in the background and various forest animals in the foreground, 55.5 x 67cm; together with a silk work embroidered panel depicting the Birth of Christ, late 18th Century, recently…

Lawrence of Arabia, Columbia Pictures, 1962, A Fistful of Dollars, United Artists, 1967, Night of the Hunter, United Artists, 1955, 12 Angry Men, United Artists, 1957, Foreign Intrigue, United…

The case with a moulded pediment, arched glazed panel door, above the trunk inset with a break-arched door, on plinth base, the 12in. arched brass dial, signed on a roundel in the arch, with seconds…

Table is good condition, no damage/scratches or water marks to the top, base also in good condition

Breaks to the top right corner and bottom left hand corner. Some repainting in places. Some wear to the paint

-The Little Ballerina, 1947: 39 black and white stills comprising 16 vintage stills, two of which feature Margot Fonteyn and 23 later prints, seven of which feature Fonteyn, in original brown paper…

 Comprising:-The Sea Shall Not Have Them, 1954: the director’s shooting script, 114 pp. of mimeograph typescript bound in brown card covers, the front cover with white paper label with the film’s…

Comprising:-Reach For The Sky, 1956: two director’s scripts, the first comprising 147 pp. of unbound mimeograph typescript, contained within a green hard cover folder, the front with cloth labels…

Two film scripts, one a ‘Shooting Script’, 117 pp. of mimeograph typescript in red card covers, the front cover printed in black italic script Carve Her Name With Pride, unannotated; a ‘Final…

An important collection of 70 black and white contact sheets, majority featuring the main cast including Michael Caine, Julia Foster, Shelley Winters, Eleanor Bron, Vivien Merchant and Jane Asher,…

A red hardback scrapbook compiled by Hylda Gilbert, the 17 pages pasted with numerous press clippings and material relating to the premiere including: two tickets for the Royal World Charity Premiere…

A large black and white portrait photograph of Lewis Gilbert on the set of The Spy Who Loved Me, the verso with handwritten label attached inscribed in an unknown hand Martin Godwin / Guardian…

An early mimeographed typescript of Ronald Hardy’s treatment for the screenplay, entitled The Spy Who Loved Me, Ronald Hardy, undated [but pre 5 Nov. 1975], 126 pp. [p.121missing] in blue card covers…

Two separate mimeographed typescripts of Richard Maibaum’s screenplay, both different versions; one entitled The Spy Who Loved Me, Draft Screenplay, Richard Maibaum and dated Nov.5,1975, 154 pp. in…

A mimeographed typescript of Lewis Gilbert’s dictated summary of the story entitled The Spy Who Loved Me, Story Outline No:1, (Dictated by Lewis Gilbert at a meeting on 5.Apr,76.), nine unbound pp.…

Two separate mimeographed typescripts of Christopher Wood’s screenplay, both similar versions,  the earlier one of the two an incomplete script missing the final 29 pages, entitled The Spy Who Loved…

Lewis Gilbert’s mimeographed typescript shooting script entitled The Spy Who Loved Me, Revised Final Shooting Script with copyright details Copyright of Danjaq S.A., dated 23 August,1976, the title…

Thirteen original photographic reproductions of storyboards for Scenes 176 – 206, the film’s most spectacular chase sequence on death-defying coastal roads featuring Bond driving Q’s specially…

A large black and white portrait photograph of Lewis Gilbert on the set of The Spy Who Loved Me, uncredited but taken by Martin Godwin from the Guardian Picture Desk [see Lot 512] - 29.2 x 36.8 cm.…

A quantity of Lewis Gilbert’s production paperwork, majority mimeographed typescript including:- A xeroxed copy of a three-page letter on Eon Productions Ltd. headed stationery, dated 8 April,76 from…