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Rose quartz bottle- overall in good conditionGrey bottle- some chips and fracturesBlue bottle- some chips. Stopper lacking

ProvenanceWith Doig, Wilson & Wheatley, Edinburgh;Thought to have been acquired from the above by the grandfather of the present owner;Thence by descentExhibitedMottisfont Abbey, Hampshire, circa…

Condition reportno margin to sheet, tiny loss to lower left corner and all edges uneven; slight staining to sheet, upper left and right; framed and under glass, unexamined out of frame.

Condition reportSummer:Some foxing and discolouration to paper.Some surface dirt.Vert small indentation to paper to left of central tree (this could be original to paper).Under glass and not examined…

Footnotes:This lot contains ivory and has been registered in accordance with the Ivory Act (section10). Reference No.566T5AZ5Prospective buyers should be aware that some countries have limitations on…

Condition reportSheets are very slightly discoloured, craquelure to the darker  and thicker pigments; otherwise generally sound.  Framed and under glass, unexamined out of frame.Framed dimension 38…

Condition reportThe sheet is sound; one small surface abrasion in the lower right corner  otherwise good condition throughout with strong colour; framed and under glass, unexamined out of frame.

ExhibitedEdinburgh, The Royal Scottish Academy, 1883, No. 299FootnoteSir Joseph Noel Paton was born in Dunfermline, Scotland, in 1821. After attending Dunfermline Art Academy, he went onto study at…

Condition ReportOriginal canvas; Paint surface is in good, clean condition; no sign of retouching under ultraviolet light; framed and under glass; unexamined out of frame.

Condition ReportBoth canvases unlined; paint surface in good, clean condition with no sign of retouching under ultraviolet; good original condition overall; framed and under glass, unexamined out of…

Condition ReportThe work with the foxglove, upper right has areas of paint loss, particularly to the borders; this appears to be due to adhering to the glass.  The other work with the three roses,…

FootnoteChevin Hall stands on West Chevin Dell, near Otley in Yorkshire; designed by architect Thomas Forrest Marshall (1850-1932) it was nicknamed locally as Marshall's Folly.  It became a…

FootnoteBrett's characteristic incised inscription gives details of the subject, day and month, but for some reason omits the year. There is some evidence pointing to 1873 as the most likely date.…

Tuke's register of paintings lists a number of watercolours which could be the present work; the most likely is R770, 'Group of French Ships and Barque.'Condition ReportThe sheet is sound, clean and…

FootnoteThe present work was painted by Tuke during his visit to Venice in May 1899 when he stayed with Horatio Brown at the Casa Torresella on the Zattere.  His diary entry for 29th May states, 'A…

FootnoteTuke painted the present work on 10th January 1924, and recorded the following entry in his diary:‘Out with Samwell and Ralph again and went further on – nearly got a small nurse shark with…

ProvenancePrivate collection, UKFootnoteDated between 7th September 1933 and 14th March 1934, the correspondence was prompted by a notice posted by Maria Tuke following the obituary of Mr S.M. Ellis…

Condition reportThe sheet is sound, minor spots of surface dirt, lower right; glass is extremely dirty and mount badly foxed but the work itself is in fair condition;  framed and under glass,…

Condition ReportSome areas of bloom to borders and mount, otherwise the sheet is sound; light traces of surface dirt but in good condition overall; framed and under glass, unexamined out of frame…

Condition ReportWhen wound, the watch is working, we would not guarantee reliability of timekeeping.  All appears in good condition, there is no Omega logo to the winding button, which stands out a…

For comparable examples see Syn Leventhan: The Longridge Collection, Christie's London, lot 1010, 10 June 2010; Sotheby’s, lot 69, 7 December 2010, and Woolley & Wallis, lot 124, 3 July 2012.…