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A Tibetan thangka, 19th century, pigment on cloth laid on board, painted with a central seated Buddha and eleven deities, 62cm. by 47cm., framed and glazed

Three South East Asian white metal boxes and covers in the form of a cat, a lion dog and a turtle, the largest 13cm. diameter; and a group of four Canton enamel yellow ground dishes, 17.5cm. length. …

A Tibetan thangka, pigment on cloth laid on board, painted with many Buddhist deities and devotees, 56cm. by 44cm., in later frame.

A Chinese blue and white porcelain cylindrical snuff bottle, late 19th century, painted with a man and woman in a landscape, four character Qianlong mark, 10cm.high.

A pair of Japanese wood stands, Meiji period, each of quatrelobed form raised on four scroll supports, gilt with ho-o birds leafy branches and scrolls, 14cm.wide.

A blue and white ovoid vase, circa 1900, moulded with two white dragons against a prunus and `cracked-ice' ground, adapted as a lamp, (a.f), vase 41cm.high.

An Indian bronze toy figure of a horse and rider, late 18th/early 19th century, (a.f), 15cm. high.

A Chinese famille-rose dish, circa 1900, painted with birds amongst flowering peony, prunus and chrysanthemum against a blue ground, 38cm.diameter; and a Chinese cloisonné dragon bowl, 25cm.diameter.

A Chinese wood parfumier, 20th century, of cylindrical form, carved and pierced with figures amongst rocks, pine and bamboo, 22.5cm.high, wood base.

A pair of Chinese blue and white beaker vases and a ginger jar, circa 1900, each painted with branches of prunus blossom, vases 30cm. high, jar 23cm. high.

A Chinese spinach jade censer, the squat body set with animal mask handles and with a key pattern border, 14.5cm.across handles, wood stand, boxed.

A blue overlay glass bottle vase, late 19th/20th, decorated with bamboo and foliate panels, 25.5cm.high.

Two Chinese famille-rose ovoid jars, 19th century, each painted with a pheasant perched on a blue rock amidst flowering shrubs, (a.f), 20cm. and 22cm.high, pierced wood covers.

A Chinese blue and white cadogan teapot, 20th century, each side painted with a Buddhist lion amongst cloud scrolls, four character mark, 14cm. high.

A large Canton celadon ground famille-rose two -handled vase, mid 19th century, one side painted with three figurative panels, the reverse painted in underglaze-blue and gilt with two equestrian…

A Chinese export blue and white canted rectangular tureen and associated cover, each painted with a landscape and set with hares head handles, 36cm, wide across handles.

A pair of Chinese hardstone bowls, with green and cream flecking, (a.f), 10cm, diameter.

A Canton famille-rose bowl, mid 19th century, painted with panels of figures and birds in flowering branches, (a.f), 33.5cm.diameter.

A Chinese famille-rose charger, Yongzheng/early Qianlong, painted with flowering prunus, peony and bamboo, (a.f), 39cm.diameter.

After Francis Wheatley, The Duke of Newcastle's Return from Shooting, etching and stipple engraving, 1792, by Francesco Bartolozzi and Samuel Alken, printed in sepia, second state of four, before…

Attributed to Giuseppe Galli Bibiena (1696-1756), An architectural capriccio, pencil and sepia wash, 24cm x 32cm.

Thomas and William Daniell, The Interior of an Excavated Hindoo Temple on the Island of Salsette; Interior of the Temple of Mandeswara near Chaynpore, Bahar; Interior of a Temple near Muddenpore,…

Frederick Goodall (1822-1904), Village holiday, pencil sketch with sepia wash heightened with white, signed and dated 1845, 16.5cm x 35.5cm.

After Sir Joshua Reynolds, Mrs Hardinge, mezzotint, 1780, by Thomas Watson, the second state, with a watermark of a cross and heart with 3 arrows, 45cm x 33cm.