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A French Empire style white marble and ormolu mounted mantel clock, late 19th century, with urn finial over a foliate decorated white enamel dial on a shaped base with a two train movement (a.f.),…

A French ormolu and porcelain mounted mantel clock, late 19th century, with twin cherub surmount over a porcelain dial plate hand painted with a Cupid figure flanked by two flaming urns, on a canted…

A mahogany cased barograph by Negretti and Zambra, early 20th century, with single frieze drawer to the stepped plinth base, 37cm wide. Illustrated

A reproduction William Congreve rolling ball clock, built circa 1980 by William R. Smith, Stanwick St John, with polished brass finish on a mahogany plinth, under a perspex case, the base 38cm wide. …

A brass watch maker's lathe, with manual fly wheel and adjustable chuck, on a mahogany base, 35cm wide.

A brass watch maker's cutting lathe, with manual fly wheel and an arrangement of adjustable chucks, on a rectangular stained pine base, with frieze drawer, 25cm wide.

A brass and iron watch maker's lathe, probably Swiss, with manual handle, adjustable chuck and various adjustable stages, on a rectangular iron base, 49cm wide.

A brass and steel watch maker's lathe, probably Swiss, with manual handle, adjustable chuck and stage, on a rectangular metal base, 39cm wide.

A George III mahogany eight day longcase clock, Barwise London, the 'London' case with quarted fitted brass fluted columns and well figured body and base, the eleven and three quarter inch arched…

An Italian bronze figure of Eve, Circa 1900, cast from a model by Pasquale Fosca (1852-1952), with serpent to the shaped base, signed and foundry stamp to rear, 39.5cm high.

A Chinese famille rose porcelain vase and cover fitted as a table lamp, on a wooden stand, 38cm high, a Chinese blue and white lamp base and a Chinese underglaze blue and famille vert ovoid vase…

An 18th century style pine carving depicting Mary and the Holy Child, with serpent and angel masks to the base, 59cm high.

A pair of patinated and gilt bronze figural candlesticks, late 19th century, the circular sconce raised atop three classical female semi-nudes, on a circular base and white marble square plinth, 25…

A pair of ebonised and giltwood figural table lamp lustres, 19th century, each carved as a putti atop a Corinthian column base, 60cm high excluding fitments. (2)

Two Victorian small bronze classical figures, each on a rectangular plinth, together with a small mythological bronze horse/dolphin on a rectangular base. (3)

A South American softwood figure of a standing Madonna, 19th century, gilt foliate decorated against a black ground, on a canted rectangular base (a.f), 38cm high.

A bronze stag, late 19th century, modelled and cast with six point antlers standing atop a naturalistic rectangular base, signed 'Zauche' to the cast, on a polished granite plinth, 50cm high overall.…

A dapple grey rocking horse on a pine swing frame base, bearing applied plaque for 'Haddon Rockers makers and restorers', 101cm high overall.

A pair of brass and marble mounted four branch candelabra, late 19th century, the four sconces over a two handled urn mount and circular stepped marble base, 42cm high (2).

A patinated bronze model of Hercules, late 19th century draped in a lion skin and with club in hand, atop a naturalistic base, unsigned, 57cm high. Illustrated

An Italian patinated bronze figure of Discobolus, late 19th century, on a canted rectangular base and a rouge griotte marble and black slate stepped plinth, 42cm high.

A modern carved hardwood model of a prowling lion, on a naturalistic shaped base, 45cm wide.

An African polished hardstone model of a wildebeest by Jonah Runyanga, late 20th century, on a naturalistic base, signed, 50cm wide.

A bronze group of a tiger and a gavial, early 20th century, after Antoine Louis Barye (1795-1875) on an integral naturalistic cast base, 26.7cm wide.