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The Incantation of Hervor
etching
image size 8.2 x 7.2cm, plate size 9.5 x 9.5cm

The Goat Herd
inscribed with title and artist's name (to backboard)
watercolour
35.5 x 25cm
(unframed)
together with seven pastels by the same hand; Still life with a red teapot and poinsettia, 45 x…

After the Storm
signed and dated 'J Salmon 1874' (lower left)
watercolour
34 x 53cm

Provenance
Private collection, UK

Winter scene
indistinctly signed (lower right)
oil on board
30 x 40cm

The present work is based on an original composition in The National Gallery, London (inventory number NG848)

Normandie
reproduction poster
84 x 53cm

Portrait of an RAF pilot
signed and dated *** Kemp 1944' (lower right)
watercolour
35 x 24.5cm
together with The Rat Catcher, an oil on board after George Armfield and Flushing Duck, an oil on board…

Modern
Each presented to Joan Hudson, including a gold sales award for ‘Lullaby And... The Ceaseless Roar’ 2014, 40.5cm x 40.5cm, and for ‘Shaken 'N' Stirred’ 1985, as well as a platinum sales award…

20th Century
A set of hand coloured pictures, each within a gilt oval border and giltwood frame, with labels to the reverse confirming their depictions of 'America', 'Africa', 'Europe' and 'Asia',…

Late 19th Century
Signed to the cast, mounted on Belgium slate plinths, each 43cm high, 15cm wide

Late 19th / Early 20th Century
Standing on a gust of wind emanating from the mouth of a mask representing Zephyr, on a verde antico marble base, 74cm high

Including; ‘Ratman and Boobin’, copyright 1970 Sunset Marketing, 58.5x89cm; ‘King Richard Nixon’, copyright 1970 Westpac Visual Communications (Blacklight), 58x88.5cm; ‘Smile Things Could be Worse’,…

Including: 'I've Kicked the Habit', designed by Sam Lawson, 76.5 x 102cm; ‘Cry Freedom’, Published by East Totem West, Mill Valley, CA, 1967, 59 x 89cm; 'Right On‘ 51 x 71cm and the Fist of…

Design after Sidney Nolan (Aust., 1917-1992), 1977, ‘The Adelaide Festival Centre Trust and Eric Dare, 1977/8’, 66 x 99cm, Together with various others Including,’Referendum dum Non a Drancy’ with…

Including ‘War is Good Business Invest Your Son’, copyright 1979 Lambert Studios x 2, 56 x 71cm, ‘Oxfam Back to Britain’ , Unicorn Bookshop Brighton, 1968, 51 x 77cm, 'Patience, my ass! Let's Kill…

Cream ground with gilt thread detailing, weighted corners and pleated top, each curtain 103cm wide (top); 165cm wide (bottom); 257.5cm high

Cream ground with gilt thread, weighted corners, pleated top edges, each curtain 120cm wide (top); 195cm wide (bottom); 255cm high approx (top to bottom)

Cream ground with gilt thread details, weighted corners, pleated top edges, each curtain 120cm wide (top); 195cm wide (bottom); 255cm high approx

Cream ground with gilt thread details, weighted corners, pleated top edges, each curtain 120cm wide (top); 195cm wide (bottom); 255cm high approx

Stamped to the back leg and all four castors, 77cm wide; 86cm high

The signed matt black dial with baton hour markers, date aperture and with white centre seconds, rotating outer bezel, the steel bracelet with an Omega foldover clasp

The dial signed Lemania, with circled T and military arrow, with Arabic hour markers and two subsidiary dials and luminous hands, the 37mm case signed 0552/924-3305 HS↑9 5993 to the reverse, with a…

With textured surface mounted with three round brilliant diamonds and three round cut sapphires, in unmarked gold, size O, gross weight 16.4 grams

With floral and foliate motifs in unmarked silver, set with rose cut diamonds, measuring 6.2cm x 3.3cm, with a safety chain, in an antique box, gross weight 18.2 grams

After the Bath
signed 'P. Maze' (lower right)
pencil, coloured chalks and gouache
37 x 31.5cm
ARR