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Painted with a view of the Kaabe in Mecca in tones of blue and green, outlined in black, 24.5cm by 33cm

20th century
The top and sides pierced with cash, painted in famille-rose enamels with scattered flowers against a black ground, 38cm high

View of Ishihara Bridge at Okawabata, signed, 21.5cm by 33cm overall size, framed and glazed

Transitional period
Painted with a an official and two attendants in a fenced garden, 21cm high; also a famille-verte saucer dish enamelled with a bird amongst lotus, 21cm diameter

20th century
Of bottle form, enamelled with an official and three boys at leisure in a landscape, indistinct iron-red four character reign mark, 7.5cm high excluding stopper; also a modern Chinese…

Probably Ming dynasty, 16th/17th century
Cast standing wearing a hat and long robes, clutching a tablet to his chest, raised on an integral rectangular base with shaped apron and bracket feet, 23cm…

Blue six character Chengua mark but later
Painted in underglaze blue and famille verte enamels with an official and attendants in a fenced garden, wood cover and stand, vase only 22cm high

Late 18th/early 19th century
The sides enamelled with the Immortals and two deer beneath a pine tree, 30.25cm high

19th Century
The engraved steel decorated with trophies and initials T&B, Continental proof marks to the underside with walnut grip, 21cm long; The powder tester with brass mounts, engraved…

18th Century
The 11 1/2 in. chased silvered dial, named William Carter, Southwark, with gilt spandrels, within a mahogany case with fluted columns and three ball finials, 210cm high excluding finials

The dark indigo field with an allover design of palmettes and delicate floral sprays, a complementary palmette border, circa 1970s, 415 x 320cm

The madder field with an ivory medallion with grey spandrels with a single bold flowerhead all with floral motifs; a star border, circa 1970s, 150 x 109cm together with an indigo field filled with…

The dark indigo field with an allover diagonal vine design bearing boteh flowerheads and other minor flowers and birds, an ivory boteh and vine border, circa 1900s, 196 x 129cm

The plain camel field with six bold single medallions in various colours within three borders, circa 1900s, 370 x 106cm

70cm wide; 97cm high

Coastal view
signed and dated 'ALAN G COLLINS 90' (lower right)
watercolour
26.5 x 37cm

A Commanding View
indistinctly signed in Cyrillic (lower right)
oil on canvas
87 x 107cm

Tom Robinson Band, Trafalgar Square (1976) (printed later)
signed and numbered by the photographer in black ink 'Chalkie Davies HC 1/5' (to the lower border)
black and white archival print
image size…

View through an arch
signed 'ZADIG' (lower right)
oil on canvas
39 x 56cm

Italian lake view, believed to be Lake Maggiore and the Rocca d’angerta
signed 'F. Catano' (lower right)
watercolour heighted with bodycolour
42 x 66cm

Of octagonal form, having engraved decoration, with ivory insulators to the handle, London 1880, gross weight 526 gms

Comprising; a Victorian rectangular aide memoire with scroll engraved decoration, Birmingham 1885, a heart shaped hinge lidded box, import mark Chester 1907, a circular plated box, decorated with a…

Having winged figure handles, the body and the foot decorated with fruiting vine, below a cast rim, raised on four pierced feet, detailed 925, width including the handles 33.5cm, weight 1246 gms

Late 19th Century
The 3 3/4in green enamel dial with Roman numerals, twin train movement striking on a bell, signed T. Martin Paris, the case surmounted by a coronet, 43cm high