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AN eight-day Mahogany-cased marine chronometer By Morris Tobias, 31 Minories, London, No. 326. Circa 1825/30, the box possibly later The mahogany three-section case with hinged observation panel, a…

A giltwood Sedan-style timepiece The 5 1/2in white enamel dial with sweep centre seconds and a small subsidiary for the hour and minutes, platform cylinder escapement, in a later turned wood case …

A late Victorian 'York Minster' brass Skeleton clockWith twin chain fusee movement with anchor escapement and silvered pierced chapter ring, with one-in-passing half- hour strike on a bell and hourly…

A Regency alabaster mantel timepieceSurmounted by an urn, with 2 3/4in white enamel dial, later French drum-shaped movement with platform lever escapement, above a rectangular base inset with a…

A walnut longcase clock The movement with later engraved nameThe case with a moulded pediment above blind fret, glazed door flanked by a spiral-turned column to each side above the trunk inset with a…

A mahogany, satinwood, marquetry and line-inlaid threetrain quarter-chiming Longcase clockThe case with swan-neck pediment, later inlaid to the front with foliate marquetry, with glazed door above a…

Viktor Koroltchuk (Ukranian, 1933-2015), Looking out of an interior to a mother and child stood in the snow, signed (lower right) and inscribed (verso), oil on canvas, 49 x 62cm.

An early 20th century bronze figure of a seated female, wearing a long dress sat on a plinth with an open jewellery casket at her feet, her hands raised to her ear to take out an earring, her head…

An 18th century style brass lantern clock, the dial signed 'Thomas Moore Ipswich', 37cm high, one weight, pendulum and later oak bracket.

A pair of Napoleon III ormolu, patinated bronze and rouge griotte marble twin light candelabra, in the Louis XVI style, each modelled as cherub supporting cornucopia, later converted as lamps, 43cm…

A collection of 1950s and later silk scarves of various floral printed and abstract floral printed designs (27)

A 19th century pine and limewood relief carving depicting ribbon tied floral sprays in an open lattice goblet, 78cm wide x 107cm high.

A 19th century serving table of George II design with three faux drawers on out stepped club supports, 168cm wide x 78cm high.

A Victorian oak floor standing open bookcase, on plinth base, 115cm wide x 92cm high.

A pair of George III and later floral polychrome painted mahogany serpentine console tables on tapering square supports, 124cm wide x 71cm high.

A mahogany open arm easy chair, with button back brown leather upholstery, on turned supports, 75cm wide x 89cm high.

A George III and later decorated demi-lune side table with neoclassical reclining nude on four parcel gilt green painted fluted supports, 107cm wide x 83cm high.

A pair of 17th century style oak panel back open armchairs on turned supports, 59cm wide x 120cm high (2).

20th century design, a tubular chrome framed open arm easy chair with brown corduroy upholstery, 70cm wide x 74cm high.

Howard & Son, a deep seated Bridgewater shape easy armchair with later burnt orange upholstery on turned supports, the back leg number stamped '160146??4 Howard and Son, Berners St', all four castors…

A 19th century Chinese scarlet lacquered rectangular trunk, on later ebonised stand, 78cm wide x 45cm high.

An early Victorian style mahogany framed open armchair, with brown leather upholstery, on turned supports, 58cm wide x 99cm high.

A 19th century rectangular gilt frame with moulded scroll chased decoration and later mirror plate, 100cm wide x 89cm high.

A George III and later mahogany window seat of serpentine outline, on cabriole supports, 110cm wide x 73cm high.