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Silver, comprising; an early George III pepper caster of baluster form, London 1763, a pair of George III salts, each of circular form, raised on three feet, London 1773, with later blue glass liners…

A French square silver box, early 19th century, with hinged cover and engine turned bands, 2.5 x 2.5 x 4cm and a pair of scissor action sugar nips, with scallop shell terminals, 11.5cm, 2ozs weight…

A late 19th/early 20th entury topaz, emerald, ruby and diamond brooch, the central cushion cut topaz claw set in a surround of rectangular, and circular emeralds and rubies and old mine cut diamonds…

A late 19th/early 20th Century carved moonstone and diamond set man-in-the-moon and cat brooch of openwork circular design, the moonstone carved with the face of the moon to a crescent mount set with…

A late 19th/early 20 the century yellow precious metal collar necklace of mesh design, suspended from a bolt ring clasp, with wirework detailing to each terminal, 39.7gms.

An early 19th century gold and silver set emerald and diamond cluster ring, mounted with the step cut emerald at the centre, in a surround of eight variously cut diamonds, between split shoulders,…

A Swatch Swiss blue, orange and white plastic wristwatch, the signed white dial with three subsidiary dials and with centre stop seconds, with a plastic case and box and fold out instruction details.

A gold, sapphire and half pearl set pendant necklace, early 20th century, the swing centre collet set with a row of three graduated cushion shaped sapphires within a drop shaped surround, set with…

A French ebonised electroplate mounted champagne cooler, circa 1920's, for three bottles, with lift out liners, on cabriole legs, 45cm wide x 74cm high.

SHAFFER (Stan), 'You Should Have Been with Me', a photographic scrap book, 2010, and various other coffee table books (qty).

Oliver Preston, 'Would you like me to have a go', artist signed limited edition sporting print, 222/850, also a companion, a pair, a rustic walking stick with horn handle and an Accokeek Creek …

An early Victorian wheel barometerBy F. Amadio & Son, 118 St. John Street Road, LondonWith 10in silvered dial108cm high

A late William IV/early Victorian mahogany marine barometerBy A. R. Easton, Aberdeen With ivory scales, foliate carved trunk and brass gimbal mount99cm high

A Chinoiserie decorated stick barometer In the manner of Daniel Quare, Early 18th Century and later The silvered scale with two verniers, set by the brass finials above, tapering column and spiral…

An early Victorian brass-bound rosewood and mahogany Marine ChronometerBy Barraud, 41 Cornhill, London, No. 2038, Circa 1845The three-tier box with drop handles and replaced rosewood and mahogany lid…

A Gothic Revival Vienna RegulatorLate 19th centuryWith skeletonised dial and plates, the steel chevron-shaped pendulum with central brass pierced panel with sunburst150cm highSee Rick Ortenburger,…

An unusual Late Louis XVI provincial mahogany thirty-hour RegulatorLate 18th / early 19th CenturyWith an arched pediment above convex glass and berried laurel surround, with hinged panel door carved…

An early Victorian mahogany three train quarter striking bracket clockThe arched case with canted angles, with carved foliate decoration, the 8in white enamelled dial with pierced blued steel hands,…

European School, late 18th/early 19th Century, A seated man with a drink and a pipe; and a companion of a man wearing a hat, a pair, oil on panel, each 16 x 13.5cm (2)

English School, late 18th/early 19th Century, A shepherd holding a staff, pencil heightened with white, 40 x 25cm.

English School, late 18th/early 19th Century, Sheep resting below a tree; and a companion, a pair, one indistinctly inscribed (lower centre), pencil, each 34 x 24cm (2).

English School, late 19th/early 20th Century, A caricature of Major Moore on a toy horse; and a companion of Lieutenant Colonel ??? on his hunter, each inscribed and one dated '1894' (lower right),…

Viktor Koroltchuk (Ukranian, 1933-2015), Looking out of an interior to a mother and child stood in the snow, signed (lower right) and inscribed (verso), oil on canvas, 49 x 62cm.

Scottish School, late 19th/early 20th Century, Flora MacDonald, bears label (verso), oil on canvas, 90 x 70cm.