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Backed on linen, 118 x 170cm

The case with a shallow arched pediment, flanked by canted angles, the trunk inset with a panel door, above a stepped base and plinth, the 10in. arched silvered dial, signed in the arch, with sweep…

The case with a shallow arch, circular glazed dial opening, above rectangular glazed panel door, on plinth base, the 11in. circular silvered dial, signed [perhaps a replacement?] with sweep minutes,…

Now in a recent mahogany case of typical form, the 12in. circular silvered dial, signed, with sweep centre minutes and subsidiaries for seconds and hours, the five pillar movement wound from the…

The case with a moulded pediment, arched glazed panel door, above the trunk inset with a break-arched door, on plinth base, the 12in. arched brass dial, signed on a roundel in the arch, with seconds…

The case: with rising hood, moulded pediment above a pierced sound fret, the square glazed dial aperture flanked to each side by a Solomonic handed column and with a quarter-column to the back, above…

The case surmounted by an urn, above the 3 1/2in. white enamel dial with Roman numerals and signed 'Leroy Paris', with silk suspension, striking on a bell, the backplate stamped ‘Medaille D'Argent…

The case mounted with giltmetal foliate panels, with domed top and foliate-cast scrolled handle, with four finials, the 6 3/4in. square brass dial with cast mask spandrels, signed silvered chapter…

Top later veneered, now with split, no key, metal lined with partitions removed, see photos.

Condition report: Two are different with differing shaped scroll backs and pierced seats. One of which is quite rusted with holes. Please see extra images on www.bellmans.co.ukThe other four with the…

Please note measurements are now correct.The table has been heavily restored and re-polished, the top now with minor scuffs, will need another polish, two extra leaves later, structurally good.

Condition report: The printed picture was laid on to canvas and is now lightly lifting to one side, with wear to the edges. Various chips and losses to some of the beaded moulding. Gilt lacquer…

The seats are 50 cm wide along the front rail. 43 cm deep. The carver is 51.5cm wide along the front and 52cm wide including the arms. Condition report: Numerous old repairs to all chairs, notably…

Damp stains to inner borders of base of the box, the wooden lining is in otherwise good condition, hinge to box in good condition, dent to front of lid, see photo, otherwise one or two small dents,…

Both plates have knife and fork marks from use, these are now fairly polished, further buffing would no doubt remove them successfully.  The crests are a bit worn but still discernable, marks good

9ct gold mounted cameo; cracked around 4 o'clock in a few places, the cameo has probably been repositioned into the mount, slight wear to high points of shellCameo pendant brooch with plain setting;…

 Comprising:-The Sea Shall Not Have Them, 1954: the director’s shooting script, 114 pp. of mimeograph typescript bound in brown card covers, the front cover with white paper label with the film’s…

Including:- A film script, the title page dated 14 April 1965, 122 pp. of mimeograph typescript on white and pale blue paper, 32 pages with minor amendments in Gilbert’s hand in either ballpoint pen…

An important series of letters between Bill Naughton and Lewis Gilbert, comprising five one-page autograph letters from Naughton to Gilbert, all on Park-Sheraton Hotel New York headed stationery, one…

A large quantity of production related paperwork, 1963 – 1971, contained within two green card filing cabinet hanging files, both files with original typescript tabs Alfie, containing letters from…

An important collection of 70 black and white contact sheets, majority featuring the main cast including Michael Caine, Julia Foster, Shelley Winters, Eleanor Bron, Vivien Merchant and Jane Asher,…

An early mimeographed typescript of Ronald Hardy’s treatment for the screenplay, entitled The Spy Who Loved Me, Ronald Hardy, undated [but pre 5 Nov. 1975], 126 pp. [p.121missing] in blue card covers…

Two separate mimeographed typescripts of Richard Maibaum’s screenplay, both different versions; one entitled The Spy Who Loved Me, Draft Screenplay, Richard Maibaum and dated Nov.5,1975, 154 pp. in…