Search "see page today PROBLEMGO.com Need to hire a bail bondsman with cash now HMP Brixton"

Portrait of a gentleman wearing a blue coat
oil on canvas
31 x 26cm

The Flight into Egypt
oil on canvas
32 x 48.5cm

Footnote
The present work is a version of the composition by Tempesta now at Isola Bella (see M. Rothliesberger, Cavalier Pietro Tempesta and His Time…

The Last Communion of Saint Jerome
oil on canvas
135.5 x 100cm
(unframed)

Provenance
Private collection

Footnote
The present composition is after Domenichino's altarpiece for the church of San…

Portrait of The Royal Tiger
oil on canvas
78 x 117cm

Provenance
Purchased circa 1900 by the vendor's great great grandfather;
Thence by family descent

A Sibyl
bears signature and date 'P. Brandl/ *** 1785' (lower right)
oil on canvas
69 x 50.5cm

Footnote
This work is after Romanelli's original now in the Galleria Borghese, Rome.

The Medway at Maidstone
signed and dated 'Albert Goodwin / 77' (lower left)
oil on paper laid on board
34 x 50cm

Provenance
The Waterhouse Collection

Footnote
Please see the following link for…

Cervo, Liguria
signed with initials 'H.S.T' (lower right) and inscribed 'Cervo' (lower left)
watercolour on paper
13.5 x 20.5cm

Provenance
Gifted by the artist to his sister, Maria Tuke, thence by…

Of the Rocks I
signed, dated and titled 'Robert Armstrong 06' (verso)
oil on canvas
25 x 30cm
(unframed)
ARR

Provenance
Kevin Kavanagh Gallery

Together with an oil on canvas by another hand of an…

Antiques Roadshow, "I thought it might be a van Gogh"
indistinctly signed (lower right)
pen and ink
11 x 12cm

19th Century
By W. Marshall for Copeland, on green marble pedestal bases, Crystal Palace Art Union socle bases, 27.5cm high without pedestals, 38cm high with pedestals

Circa 1851
Sabrina by W Calder Marshall for Copeland, on integrated oval base, incised with Marshall Fecit to the reverse and Copeland stamp, 28.5cm high, Euterpe after a model by William Beattie,…

Circa 1868
By J Durram for Copeland, for the Crystal Palace Art Union, on socle bases, incised to the reverse of each, 34cm high

19th Century
Undine by John Hancock, inscribed Undine to the base and signed, 44.5cm high; together with an unmarked figure of a woman seated feeding a bird on her shoulder, 38cm high

Late 19th Century
Modelled as La Fontana dei Dioscuri, the central obelisk flanked by ink-wells, on a raised shaped ormolu base with chained border, 33 cm high

18th Century
Woven in wools and silks, depicting an exotic bird in front of a forested landscape with classical buildings and mountains beyond, within borders of fruit and foliage, reduced in height…

With faceted elongated neck and base, mounted on a giltwood stand, later adapted for electricity, 68.5cm high

20th Century
With tapering ribbon-tied backplates terminating in a fruiting vine finials, 69cm high

Also including a burgundy velvet example with gilt tassels and a crewel work example, the largest, 58cm wide

1920'S
Of goblet form, the exterior decorated with butterflies against a mother of pearl lustre ground, the interior with a mottled orange ground, printed Portland vase mark, painted Z4832, 13.5cm…

Late 19th / Early 20th Century
Naturalistically modelled with lily flowers, ears of corn and bunches of grapes, raised on triform bases, 105cm high

Circa 1805
Painted and gilt with the `Waterlily' pattern, comprising a pair of soup tureens and covers, three sauce tureens and two covers, three sauceboats, four rectangular vegetable tureens and…

The ornamental vase of slender baluster outline, 23.5cm high; the other with tapering open neck, 14cm high; the octagonal tazza bowl raised on a cluster column support (small losses), 10cm high; and…

The ends, 24.5cm high; the octopus, 38cm high

Including various tiger conch shells, olivia porphyria shells, clams and tower snails, some mounted as boxes and one as a hen; Together with three terracotta clam shell shaped tazze and eight moulded…