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The oval hinged bangle with an applied seed pearl set monogram, circa 1910, on a snap clasp, fitted with a safety chain, gross weight 7.6 gms and a pair of coral cluster earstuds, in gilt metal…

On a diamond and half pearl set cluster clasp, fitted with a safety chain , length 55cm

Comprising; a pair of opal single stone earstuds, with post and differing butterfly clip fittings, detailed 375, three pairs of cultured pearl earstuds, one odd cultured pearl earstud, a mauve and…

In an abstract openwork geometric design, having a cast textured finish, marks indistinct, length 4.3cm, weight 16.9 gms

Claw set with the oval cut emerald within a two tier surround, set with circular cut diamonds, detailed 18 K, ring size N and a half, gross weight 3.9 gms, the earstuds with post and butterfly…

Comprising; a pair of diamond and ruby earrings, each in a pierced openwork design and a pair of diamond and varicoloured gem set pendant earrings, both pairs with post and butterfly fittings,…

Comprising; a pair of faceted drop shaped earrings, detailed 9 CT, with post and butterfly fittings and a pair of scroll form drop shaped earrings, with post and butterfly fittings, detailed 375,…

The blue zircon earstuds lacking one post, two pairs of 9ct gold earrings, the remaining earrings mostly costume designs

Portrait miniature of a gentleman in a maroon coat
signed with monogram and dated '92' (lower right)
on ivory (ref. JUEG44SK)
5.5cm high
in a gilt-metal frame

Portrait miniature of the artist's father, Henry Bone R. A. (1755-1834)
inscribed ‘Henry Bone R.A. / Enamel Painter to George 3rd, / George 4th & William 4th. / London March 1845. Painted by his …

Portrait of a gentleman wearing a blue coat
oil on canvas
31 x 26cm

The Flight into Egypt
oil on canvas
32 x 48.5cm

Footnote
The present work is a version of the composition by Tempesta now at Isola Bella (see M. Rothliesberger, Cavalier Pietro Tempesta and His Time…

The Medway at Maidstone
signed and dated 'Albert Goodwin / 77' (lower left)
oil on paper laid on board
34 x 50cm

Provenance
The Waterhouse Collection

Footnote
Please see the following link for…

Cervo, Liguria
signed with initials 'H.S.T' (lower right) and inscribed 'Cervo' (lower left)
watercolour on paper
13.5 x 20.5cm

Provenance
Gifted by the artist to his sister, Maria Tuke, thence by…

various sizes
(all unframed)
together with a book, Anna Pavlova, Her Life And Art, by Keith Money
(quantity)

Of the Rocks I
signed, dated and titled 'Robert Armstrong 06' (verso)
oil on canvas
25 x 30cm
(unframed)
ARR

Provenance
Kevin Kavanagh Gallery

Together with an oil on canvas by another hand of an…

Antiques Roadshow, "I thought it might be a van Gogh"
indistinctly signed (lower right)
pen and ink
11 x 12cm

19th Century
By W. Marshall for Copeland, on green marble pedestal bases, Crystal Palace Art Union socle bases, 27.5cm high without pedestals, 38cm high with pedestals

Circa 1851
Sabrina by W Calder Marshall for Copeland, on integrated oval base, incised with Marshall Fecit to the reverse and Copeland stamp, 28.5cm high, Euterpe after a model by William Beattie,…

Circa 1868
By J Durram for Copeland, for the Crystal Palace Art Union, on socle bases, incised to the reverse of each, 34cm high

19th Century
Undine by John Hancock, inscribed Undine to the base and signed, 44.5cm high; together with an unmarked figure of a woman seated feeding a bird on her shoulder, 38cm high

Late 19th Century
Modelled as La Fontana dei Dioscuri, the central obelisk flanked by ink-wells, on a raised shaped ormolu base with chained border, 33 cm high

18th Century
Woven in wools and silks, depicting an exotic bird in front of a forested landscape with classical buildings and mountains beyond, within borders of fruit and foliage, reduced in height…

With faceted elongated neck and base, mounted on a giltwood stand, later adapted for electricity, 68.5cm high