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Condition: Fair some moth damage and pulls, ends and sides need attention,  fair some moth damage ends and sides need attention and good, ends need attention 

Condition: Good, sides rebound

Condition: Good condition 

Condition: Areas of wear, ends need attention reduced sides and another worn, multiple areas of wear, ends and sides need attention, needs a clean

Condition: Good, some areas of wear, wear to one end, some areas of moth damage - treated, ends need stopping and sides need attention

Condition Report;  Interior rather stained as a result of pot plants over the years, would benefit from careful professional cleaning, internal depth 10.5cm.  All three feet are a bit bent inwards

ProvenanceThe E.J. Clarke Collection;Sotheby’s, London, 2 June 1975, lot 123;Private collection, UK

ProvenanceSotheby’s, London, 28 February 1977, lot 111;Private collection, UK

ProvenanceSotheby’s, London, 13 February 1978, lot 86;Private collection, UKCondition reportPotential crack, scratch or mark upper left near edge, difficult to make out exactly what this is.Possibly…

ProvenanceSotheby’s, London, 28 February 1977, lot 144 (part lot, together with a portrait of Samuel Whitbread, MP by Turmeau);Private collection, UKCondition reportSome small surface abrasions,…

ProvenanceA. Woodhouse & Son, Ltd of ‘The Silver Mouse Trap, London, November 1979;Private collection, UKCondition reportPotential surface dirt and some discolouration/yellow marks but difficult to…

ProvenanceSotheby’s, London, 28 February 1977, lot 144 (part lot, together with a portrait of Charles James Fox by Nathaniel Hone);Private collection, UKCondition reportThe frame is loose and needs…

ProvenanceSotheby’s, London, 28 February 1977, lot 104;Private collection, UKCondition reportA few small dark spots/marks to centre left edge.What appears to be small watermark to lower left edge but…

ProvenanceSotheby’s, London, 26 July 1976, lot 48;Private collection, UKCondition reportA little possible retouching to lower right on arm, paint surface looks a little rough.Possibly also a little…

ProvenanceSotheby’s, London, 16 December 1974, lot 155;Private collection, UKLiteratureD. Fosket, John Smart, The Man and his miniatures, London 1964, p. 73.FootnoteAnother version of this portrait…

ProvenanceSotheby’s, London, 20 January 1975, lot 79;Private collection, UK

ProvenanceSotheby’s, London, 7 July 1975, lot 112;Private collection, UKCondition reportIvory looks like it could be a little warped.Small brown spot lower left.Otherwise appears overall generally…

ProvenanceSotheby’s, London, 2 June 1975, lot 57;Private collection, UKCondition reportPossibly a little discoloured.Possibly a little retouching to lower left background.A pale/discoloured line or…

ProvenanceSotheby’s, London, 28 July 1975, lot 68;Private collection, UK

ProvenanceSotheby’s, London, 29 March 1976, lot 108;Private collection, UKCondition reportDark patch to her hair in photo is just a shadow, it is not on the work itself.There appears to be a small…

ProvenanceSotheby’s, London, 2 June 1975, lot 85;Private collection, UKCondition reportPossibly a little discolouration to background lower right.Surface dirt.Appears generally good.Under glass and…

ProvenanceSotheby’s, London, 22 April 1968, lot 127;Private collection, UKFootnoteMrs Knight was the mother of the artist Mary Ann Knight, and Joanna Louisa Knight who married Andrew Plimer in 1801…