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After William Stanley Haseltine, Italianate river scene Tivoli, watercolour heightened with white, together with a Chinese and an Indian watercolour. (3) A9

A gilt metal-mounted ebonised quarter repeating table clockBy John Dickings, London, late 17th century and laterThe case now with a caddy top, surmounted by a scroll handle, above glazed front and…

A pair of Czech porcelain vases painted with floral panels, the bases applied with rustic figures, now converted into lamps, with shades, the vases 39cm high, (2).

A French gilt bronze Medici lion, circa 1820, after Vacca, modelled and cast standing with right foot raised on a ball, mounted on a griotte marble rectangular plinth, 28cm wide. Illustrated

After Bayre, 'Lion au Serpent' a patinated bronze model of a lion crushing a snake on a naturalistic base, inscribed 'A.BAYRE' on an oval black marble base. 34cm high x 41cm wide. Illustrated

A marble figure of the Venus of Cyrene, after the Antique, modelled standing with a dolphin at her side, on a shaped base, unsigned. 75cm high. Illustrated

After the Antique, a French patinated bronze figure of a gladiator, late 19th century, modelled naked with sword in his right hand, on a white marble plinth, unsigned, 66cm high overall.

After the Antique; a French patinated bronze figure of 'The Dying Gaul', late 19th century, on an oval relief cast base, unsigned, 28.5cm wide.

A Victorian cast iron boot scraper, the square bar up-rights united by a recessed flat foot plate on a rectangular stone plinth, 58cm wide.

A Minton vase 'a Tête d'Eléphant', circa 1876, modelled after the Sèvres prototype, modelled with elephant heads at the neck, the body painted on one side with a shepherdess and sheep, the reverse…

GATTY (Mrs. A.) The Book of Sun-Dials. 4th edition, now enlarged and re-edited by H.F.K. Eden and Eleanor LLoyd. 9 photogravure plates & num. text illus., errata slip. earlier 20th cent. gilt-ruled…

After Giovanni Battista Tiepolo, Three allegorical figures, etching, first state of two, by Giovanni Domenico Tiepolo, 17cm x 16cm.

After Edward Grutzner, Monks reading, oil on canvas, bears a signature, 22.5cm x 27cm.

After Samuel Joseph Clark, Farmyard scene, oil on canvas, bears a signature and date, 98cm x 124cm. Illustrated

G. Moretti (20th century), after Sir John Everett Millais, Portrait of Benjamin DIsraeli, Earl of Beaconsfield, oil on canvas, signed, 98cm x 73cm.

After Sir Joshua Reynolds, Simplicity - Portrait of Miss Theophilia Gwatkin, oil on canvas, 75cm x 61cm. Illustrated

After Sir Anthony van Dyck, Portrait of King Charles I, oil on canvas, 57cm x 46cm. Illustrated

After Cornelis Bega, Figures in an interior, oil on canvas, 40cm x 32cm. Illustrated

After Jan Steen, An unwanted flirtation, oil on panel, 30cm x 24cm.

After Francesco Guardi, Four Capriccios, oil on canvas, each 13cm x 18cm. (4)

A 19th century Continental birch shallow sarcophagus jewellery box, transfer printed with a gambling scene after Caravaggio 'The cardsharps', 30cm wide x 11cm high x 22cm deep.

After Giuseppe Maggiolini; a pair of Italian marquetry inlaid walnut commodes, 19th century, each with three long graduated drawers, on tapering square supports, 124cm wide x 88cm high x 50cm deep, …

After the Antique, a reconstituted stone figure group of a discus thrower, on a fluted circular pedestal, 150cm high.

After Ludwig Mies Van Der Rohe, a pair of 20th century Barcelona chairs, 75cm wide x 76cm high x 90cm deep, (2). Illustrated