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An 18th century giltwood altar candlestick (converted into a table lamp), carved foliate detail, distressed with old paint traces on a triform base, with shade, 124cm high overall. E1

Walter Henry Sweet (1889-1949), Harbour scene; Clovelly; Country Church; At the Cottage door, a group of four watercolours, all signed, the largest 34.5cm x 51cm.(4)

Sidney Yates Johnson (fl.1890-1926), River landscapes, a pair, oil on canvas, both signed, one dated 1924, each 30.5cm x 61cm; together with a further work by the same hand, Sheep on a country lane,…

Francois-Charles Cachoud (1866-1943), A country lane by moonlight, oil on canvas laid on board, signed, 79cm x 97cm. Illustrated.

A Country Artists sculpture, limited edition, 82/150, designed by Barry Price, 'Endless days' modelled as two owls atop a naturalistic setting, 50cm. high, with shaped mahogany base.

Box 51 - GinDivine LDGt.e.a jasmine ginLumbers Bartholomew country garden JitterbugOne Gin 'Sage & Apple'Palma Winter GinBVI GINElg MarcFynoderee Manx Dry Gin - Autumn EditionGustav Metsä…

FILM POSTER: 'STAR WARS: EPISODE IV: A NEW HOPE' (1977) Paramount Pictures, Style A, One Sheet, International poster, Litho in USA. next to Union logo, NSS no. 77 / 21 - 0, three line NSS paragraph,…

FILM POSTERS: a group of three posters including 'Rebel Without A Cause', Warner Brothers (1955) US. One Sheet, director Nicholas Roy, starring James Dean and Natalie Wood, loose sheet, 103cm x 68…

After James Pollard, West Country Mails at the Gloucester Coffee House, Piccadilly, aquatint with hand colouring, 56cm x 76cm.; together with a reproduction of the Underwriting Room at Lloyds after…

DAY LEWIS, Cecil (1904-72). Country Comets. London: Martin Hopkinson, 1928. 8vo. Half title. Original green paper-backed boards, printed label on upper cover, uncut (spine detached, some fading,…

JAMES, Frank Linsly (1851-90). The Wild Tribes of the Soudan. An Account of Travel and Sport chiefly in the Basé Country being Personal Experiences and Adventures during three Winters Spent in the…

PINKERTON, John (1758-1826, editor). A General Collection of the Best and Most Interesting Voyages and Travels in all Parts of the World; many of which are now first translated into English.…

PRIMATT, Humphry (or Humphrey) (c.1735-c.1776). A Dissertation on the Duty of Mercy and Sin of Cruelty to Brute Animals. London: Printed by R. Hett, and sold at T. Cadell, J. Dodsley and J. Johnson,…

RAVILIOUS, Eric (1903-42, illustrator) & James Maude RICHARDS (1907-92). High Street. London: Country Life. Printed in England at The Curwen Press, 1939. Large 8vo (231 x 150mm). Woodcut…

The Rector of Overton, A Novel. In Three Volumes. London: Fisher, Son, & Co., 1830 [Volume III: 1828]. 3 volumes, 12mo (174 x 100mm). Without half titles [?as issued], 5 engraved plates dated 1829,…

TROLLOPE, Anthony (1815-82). The Eustace Diamonds. London: Chapman and Hall, 1873. 3 volumes, 8vo (181 x 118mm). (Without half titles.) Attractively bound in contemporary half calf, spines gilt in…

[WILDE, Oscar (1854-1900)] - Jules Barbey d' AUREVILLY (1808-89). What Never Dies. A Romance. By Barbey d'Aurevilly. Translated into English by Sebastian Melmoth (O.W.). Paris: Privately Printed,…

A black painted ostrich egg converted into a lidded trinket pot, with white metal mounts and claw feet, 29cm high.

A group of five, including a pencil drawing of a country house, indistinctly signed, two pen and ink illustrations by David Knight for the Motor Show, Radio Times, and a pair of pen and wash drawings…

After Samel Howitt, Driving Elephants into a Keddah; Killing game in Boats; The Dead Tiger; Beating Sugar canes for a Hog, four aquatints with hand colouring from Oriental Field Sports, each 37cm x…

A group of three watercolours, including Emil Axel Krause (1871-1945), Cockle Gatherers; a 19th century view of a country house and Hylda M. Atkins, view of a bridge, various sizes.(3)

Charles Genge (1874-1958), Farmyard entrance, oil on canvas, signed; signed and inscribed on reverse, 36.5cm x 44cm.; together with three further unframed works by the same hand 'The White Barn', …

English School (19th century), View of a country house, oil on canvas, 24.5cm x 33cm.

A group of ten assorted 20th century cut glass decanters and two blanc de chine style figures made into lamps, (12).