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Beardsley (Aubrey) Under the Hill and Other Essays in Prose and Verse, original gilt decorated boards, 1904, Yeats (W.B) The Tower, d/w, 1928, Drinkwater (John) Cotswold Characters, illustrated by…

Hall (Mr. & Mrs. S. C.) The Book of the Thames from its Rise to its Fall, New Edition, illus., original brown cloth gilt, spine dulled, c.1877 with Gattie (G. Byng) Memorials of the Goodwin Sands and…

Morison (Stanley) Fra Luca De Pacioli of Borgos Sepolcro, 1 of 390, tissue guarded illus., original vellum backed boards, slip case, New York, The Grolier Club, 1933, folio.

Munro (H.H. "Saki") The Collected Works of Saki, 7 vol., d/w's, 1926 Maeterlinck (Maurice) The Works, 16 vol., only, limp calf, spines sunned, New York, Dodd, Mead, n/d Wells (H.G) Works, 31 vol.,…

Attributed to Aert Schouman (1710-1792), Studies of birds, pen and ink, with a further study verso, bears a signature, unframed, 23.5cm x 20.5cm.

Follower of Thomas Bush Hardy, Vessels in a choppy sea, watercolour, bears a signature and date, 77cm x 49cm.

After Parsons & Atwater, The Port of New York, lithograph published by Currier & Ives, with hand colouring, 58cm x 84cm.

J Heine Kummer and Dopler, New York: A Birds Eye view, engraing by Himly, 1851, 70cm x 99cm.

Attributed to George Clausen (1852-1944), Study of a man, pencil, bears a signature, 31cm x 20.5cm.4474

Continental School (20th century), Abstract, colour lithograph on silk, with indistinct facsimile signature, 90cm x 90cm.

Circle of Eugene Joseph Verboeckhoven, Sheep resting in a landscape, oil on canvas, bears a signature and date, unframed, 52.5cm x 75cm.

Attributed to William Lionel Wyllie (1851-1931), Coastal landscape with river delta, oil on canvas, bears an indistinct signature and inscription, unframed, 32cm x 39.5cm.

Circle of George William Mote, figures and donkeys in a quarry in a landscape, oil on canvas, bears a signature, 50cm x 75cm.

Attributed to Ignatius Fraser (19th century), Celerity: The Winchcomb, Cheltenham and London Coach passing through Prestbury near Cheltenham in Glos, oil on panel, bears a signature, 28cm x 43cm.…

Attributed to Theodore Rousseau (1812-1867), The Woodland Path, oil on panel, bears a signature, 44cm x 30cm.

A Moorcroft green-ground circular powder bowl and cover, circa 1935-40, decorated with the `Orchid' pattern, impressed facsimile signature, paper label `Potter to H.M the Queen', 14.5cm. diameter, (2…

Attributed to S. J. Casson, Riverside scene, pencil and grey wash, bears a signature and date, 16cm x 22cm.; together with a Dutch School pen and ink landscape, and a pen, ink and wash harbour scene,…

Follower of Andy Warhol, Lion; Crocodile, two crayon drawings, one bearing signature, unframed, the larger 28cm x 34.5cm. CAB 4314

After James Pollard, The Grand Entrance to Hyde Park; After G.H. Andrews, Albert Memorial, Hyde Park; Windsor Castle; After T Bowles, Westminster Abbey; St Stephen Walbrook; St Pauls (mostly…

Attributed to Georges Lucien Guyot (1885-1973), Loving leopards, watercolour, bears a signature, 42cm x 53cm. Provenance; Property from Prudence and the late Marius Goring, CBE. Illustrated

Attributed to John Skeaping (1901-1980), Two deer, pencil, bears a signature, 27cm x 41cm.4312

Attributed to Benjamin Franklin Collins (20th century), Times Square, Abstract, oil on board, bears a signature and date 1960, 75cm x 60cm.

Rudolph Ihlee (1883-1968), Denia, oil on board, signed and dated '58, 46cm x 54.5cmExhibited: New English Art Club DDS Illustrated

Follower of Jan Jacob Coenraad Spohler, Figures on a frozen river, oil on panel, bears a signature, oval, 36cm x 44cm. Aftersale