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After Richard Jones, Coursing, four prints with hand colouring, each 34cm x 43cm, (4). H1

After George Stubbs, The Godolphin Barb; The Byerley Turk, Diomed, The Darley Arabian, four prints with hand colouring, each 44cm x 49cm, (4). G1

After James Pollard, The Grand Entrance to Hyde Park; After G.H. Andrews, Albert Memorial, Hyde Park; Windsor Castle; After T Bowles, Westminster Abbey; St Stephen Walbrook; St Pauls (mostly…

A group of seven, including sporting subjects, The Liverpool Umpire after James Pollard, Shooting At The Edge of a Jungle, after Samuel Howitt, four Coursing scenes, framed as one, after Samuel…

A group of eleven prints and engravings, including 'The Chief;s return from Deer Stalking' after Landseer, a pair of HIghland scenes after Douglas Adams, and eight plates from The Cries of London.(11…

After William Hogarth, The Rake's Progress, together with, A Midnight Modern Conversation, the set of eight 35cm x 40cm (9). F1

After Samuel Alken, Coursing; The Death, a pair of engravings by Thomas Sutherland, each 38cm x 47.5cm, together with two further aquatints of greyhounds, including; Miss Glendyne, after Sidney P…

After James Pollard, Race for the Gold Cup at Ascot 1852, aquatint with hand colouring, 36cm x 48cm. F1

A. Oliver (19th/20th century), Mountainous lake landscape, oil on panel, signed, 15cm x 23cm.; together with a mezzotint of Lusien Autheur after Rembrandt.(2) F1

English School (late 18th century), Harry Grace A'dieu; A Galliasse named the Grand Masters, two, pen, ink and watercolour, after the prints by John Topham, the larger 45cm x 34cm.(2)

After Andreas Mantegna, Caesar's Triumphs, three engravings by Robert van Audenaerde, published by Domenico de Rossi, circa 1692, after the Hampton court series of paintings, each 39cm x 125.5cm. (3)

After Loggan, St Johns College, Cambridge, engraving by Overton, 39cm x 79cm.

After Henry Alken, Tattenham Corner; The Winning Post, pair of aquatints by W. Summers, with hand colouring, each 54cm x 79cm, (2)

After George Stubbs, Shooting, plates I-IV, a set of four engravings, by William Woollett, with hand colouring, each 43cm x 53cm, (4).

After Dean Wolstenholme, Coursing, plates I-IV, four aquatints by J. Stewart, with hand colouring, each 30cm x 35cm, (4).

After James Pollard, Fairlop Fair, aquatint with hand colouring, 32.5cm x 45.5cm.

After William Hamilton, Months of the Year, a set of twelve stipple engravings by Bartolozzi with hand colouring, each 35cm x 27cm.(12)

After Joseph Walter, The Great Western, steamship, 1840, aquatint by Reeve, with hand colouring, 53cm x 69cm.

After William Hopkins and William Beechey, His Majesty George the Third; After John Singleton Copley, The Prince Regent, a pair of mezzotints with hand colouring, each 67cm x 55cm.(2)

Robin Mason (contemporary), Orange Cloth after Colmar VII, oil on board, inscribed on reverse, 91cm x 30cm. DDSAftersale

After Rubens, The Flagellation, oil on canvas, unframed and unstretched, 176cm x 135cm.

After Moigniez; a patinated French bronze model of a game bird, late 19th century, modelled atop a naturalistic base, signed to the cast 'Moigniez', 31cm high.

An Italian bronze figure of Silenus, Neapolitan foundry, after the Antique, late 19th/early 20th century, signed to the cast 'P. MASALLI R.A.N. 1811'. 60.5cm high. Illustrated

Utagawa Kunisada (1786-1865), four woodblock prints, including a pair of actors, signed as Toyokuni; also a woodblock print of a kabuki actor by Kunichika; three prints after Hokusai and another…