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Italian School (18th/19th century), The Madonna and child with St Elizabeth and the infant St John, oil on canvas, 76cm x 63cm.

Italian School (18th/19th century), The Madonna and child with St Elizabeth and the infant St John, oil on canvas, 75cm x 60cm.

Follower of John Sell Cotman, Village scene, watercolour.

A group of seven, including an unframed watercolour of a horse and cart in woodland, a botanical engraving, an etching signed Whorry, a certificate for the Grand Lodge of Scotland, a map of Essex by…

Trevor Willoughby (1926-1995), Seated girl in stockings, pencil, signed and dated '64, together with another by the same hand, a print after Augustus John and a head study of an African woman.(4)

A Wedgwood black basalt bust of John Locke, probably late 18th century, modelled with head turned slightly to his right, on a later painted wood socle base, impressed Wedgwood and Locke, overall…

John Seymour Lucas (1849-1923); The blacksmith, watercolour, signed and dated 1884, 47cm x 36cm.

Costume jewellery, including a Sterling silver brooch, a Chinese porcelain pendant, a silver quartz/ Blue John pendant etc.

BOX 41 - NEW ZEALAND WINE Peter Yealands Pinot Noir 2014 Murdoch James Blue Rock Pinot Noir 2010 Stoneleigh Pinot Noir 2013 Ceres Composition Riesling 2014 The Navigator 2013 Ka Tahi Merlot…

A reproduction William Congreve rolling ball clock, built circa 1980 by William R. Smith, Stanwick St John, with polished brass finish on a mahogany plinth, under a perspex case, the base 38cm wide. …

Late 18th/early 19th century English School, circle of John Smart (1712-1811) British, Portrait miniature of William, Duke of Clarence (1765-1837) subsequently HM King William IV, wearing the breast…

A quantity of antiquities from the collection of Sir John Barnes (Ambassador to Israel 1969-1972), comprising; a Graeco-Roman carved marble fragment of a child's hand, 10cm long; a pottery pedestal…

A Staffordshire pearlware crucifixion group, circa 1820, modelled with Mary and St. John beneath the cross, on a grassy mound base (a.f.), 26cm.high.

Stephen John Batchelder (1849-1932), Boats on the Broads, watercolour, signed, 28cm x 50cm.

John Piper (1903-1992), Tayac, Dordogne, pen, ink, watercolour and gouache, signed, 57cm x 37cm. IllustratedProvenance: Marlborough Fine Art. DDS

John Piper (1903-1992), Green abstract, pen, ink and watercolour, signed, 21.5cm x 34cm. DDS Illustrated

Donald McIntyre (1923-2009), Blue Sea, Iona, oil on board, signed with initials, 29cm x 39ccm.Provenance: The Fosse Gallery, John Lindsey Fine Art. DDS

John Ellison (20th century), Large Crysanthemums, oil on board, signed with initials, signed on reverse, 24cm x 24cm.Provenance: The Leonie Jonleigh Studio. DDS

John Ellison (20th century), Hill and farm, oil on board, signed with initials, signed on reverse, 35cm x 42cm.Provenance: The Leonie Jonleigh Studio. DDS

John Ellison (20th century), Rocky Cove, oil on board, signed with initials, 24cm x 24cm.Provenance: The Leonie Jonleigh Studio. DDS

John Morley (b.1942), Bridge in the park, oil on canvas, signed, inscribed and dated 1972 on reverse, 17cm x 24.5cm. Provenance: The Leonie Jonleigh Gallery DDS

John Haskins (b.1938), The path across the field, oil on board, signed, 28cm x 22cm. DDS

The Hon. John Collier (1850-1934), The Roman Arch in the Temple of Luxor, oil on canvasboard, signed and dated 1920, 44cm x 27cm.Provenance: With the Fine Art Society

Attributed to John Wilson Carmichael, Fishing boats, oil on canvas, bears a signature and date, 32cm x 45cm. IllustratedProvenance: with Stacy-Marks