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After Petrus Weyts (Belgian 1799-1855) The American Privateer 'Belvadier' off Flushing, modern colour transfer on glass. J1

After Adriaen Van Ostade, Tavern scene, etching, unframed, 20cm x 25cm. CAB

A group of assorted prints and engravings, including a French lithograph 'Bon Nuit', a ship building print, a print after Henry Moore, a print of a man on horseback, a print of a cricket match, a…

After James Gillray; Hounds Finding, Hounds Throwing off, Hounds in Full Cry, Coming in at the death, four etchings, later impressions with hand colouring, each 22cm x 36cm.(4) D1

After Velasquez, The Infanta, oil on panel, 11cm x 15.5cm. D1

After Sir Joshua Reynolds, The Duke of Bedford and his brothers, mezzotint by Valentine Green, 49cm x 43cm. A6

A quantity of assorted 19th century prints and engravings, including 'Labour' and 'Rest' after John Absolon, Brickeen Bridge and Artully Bridge after Walmsley, and others.(qty) A6

Continental School (late 18th century), Portrait of a gentleman; Portraits of three ladies, pastel, the largest 56cm x 43.5cm, together with three small engravings after William Hogarth from The Idle…

A quantity of assorted prints, including a map of Staffordshire by John Talbot, and works after Hogarth, Cecil Aldin, Beechey and others, all unframed. (qty) CAB

After William Stanley Haseltine, Italianate river scene Tivoli, watercolour heightened with white, together with a Chinese and an Indian watercolour. (3) A9

A French gilt bronze Medici lion, circa 1820, after Vacca, modelled and cast standing with right foot raised on a ball, mounted on a griotte marble rectangular plinth, 28cm wide. Illustrated

After Bayre, 'Lion au Serpent' a patinated bronze model of a lion crushing a snake on a naturalistic base, inscribed 'A.BAYRE' on an oval black marble base. 34cm high x 41cm wide. Illustrated

A marble figure of the Venus of Cyrene, after the Antique, modelled standing with a dolphin at her side, on a shaped base, unsigned. 75cm high. Illustrated

After the Antique, a French patinated bronze figure of a gladiator, late 19th century, modelled naked with sword in his right hand, on a white marble plinth, unsigned, 66cm high overall.

After the Antique; a French patinated bronze figure of 'The Dying Gaul', late 19th century, on an oval relief cast base, unsigned, 28.5cm wide.

A Victorian cast iron boot scraper, the square bar up-rights united by a recessed flat foot plate on a rectangular stone plinth, 58cm wide.

A Minton vase 'a Tête d'Eléphant', circa 1876, modelled after the Sèvres prototype, modelled with elephant heads at the neck, the body painted on one side with a shepherdess and sheep, the reverse…

After Giovanni Battista Tiepolo, Three allegorical figures, etching, first state of two, by Giovanni Domenico Tiepolo, 17cm x 16cm.

After Edward Grutzner, Monks reading, oil on canvas, bears a signature, 22.5cm x 27cm.

After Samuel Joseph Clark, Farmyard scene, oil on canvas, bears a signature and date, 98cm x 124cm. Illustrated

G. Moretti (20th century), after Sir John Everett Millais, Portrait of Benjamin DIsraeli, Earl of Beaconsfield, oil on canvas, signed, 98cm x 73cm.

After Sir Joshua Reynolds, Simplicity - Portrait of Miss Theophilia Gwatkin, oil on canvas, 75cm x 61cm. Illustrated

After Sir Anthony van Dyck, Portrait of King Charles I, oil on canvas, 57cm x 46cm. Illustrated

After Cornelis Bega, Figures in an interior, oil on canvas, 40cm x 32cm. Illustrated