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After Jacques Callot, The Apostles, a set of ten engravings plus frontispiece, all unframed, each approx 14cm x 9cm.

After Claude Lorraine, Classical figures in a landscape, engraving by Woollett, 55cm x 78cm.; together with a view of Brydden & Moelly Golfe after Pocock, and an engraving of a lute player.(3)

After Annibale Carracci, Friezes, a pair of engravings by Petrus Aquila, each 28.5cm x 68cm, (2). A/S

After Angelica Kauffmann, Achilles and Ulysses; Hector reproving Paris, a pair of stipple engravings by j. G. Fascius, each 48cm x 60cm.(2)

After Chodowiecki, Motives for marriage, six engravings, framed as one, each 9cm x 5cm.

After Claude Lorrain, Classical landscape, pen, ink and sepia wash, 16cm x 18.5cm.

After Henri de Toulouse-Lautrec, Jane Avril, lithographic reproduction of the original (reduced), 25cm x 18.5cm.; together with Lovers, after Egon Schiele.(2)

After Pablo Picasso, Abstract design; Lamp & Goat's head; Faces; Still life with fish; Double Portrait I; Cubist still life; Still life of fruit; Two Faces; Visage; Still life with Goat's head, ten…

After Zuccarelli, A busy dock side scene, oil on canvas, 41cm x 61cm.

After George Morland, Feeding the pigs, oil on canvas, 28cm x 35cm.

After Egbert van der Poel, Burning town by night, oil on canvas, 39cm x 50cm. Illustrated

After William Henry Knight, Children catching a cockerel, oil on panel, possibly over a printed base, bears a signature and date 1862, 35cm x 41cms; together with a further oil over a printed base of…

A French brass cased four glass mantel clock with faux mercury pendulum, 22.5cm high, an early 20th century timepiece with suspended spherical pendulum housed under a glass dome, 20cm high and a…

A white marble bust of Apollo, after the Antique, early 20th century, on a turned socle, 33cm high and one further composite bust of a woman, (2).

After Marin, a bronzed metal bust of a classical female, raised on a square foot, unsigned 18.5cm high.

A pair of Regency ormolu candlesticks, circa 1830, after a design by William Bateman for Rundell, Bridge & Rundell, each depicting three swans around a foliate cast sconce, 16.5cm high. (2).

After Coustou, a pair of Victorian bronze Marly Horses, each modelled and cast on a naturalistic base, unsigned, 62cms high. (2)

After Arne Jacobsen; an egg chair in brown leather on polished steel four point base, 87cm wide x 105cm high.

After Coalbrookdale; a polychrome painted cast iron umbrella/stick stand, 81cm wide x 212cm high.

After Percier and Fontaine, an Empire single marble top ebonised parcel gilt console on griffin supports, 93cm wide x 78cm high. Illustrated

After V. W. Bromley, Flora, engraving, 85cm x 52cm. M1

After John Frederick Herring, senior, three horses, oil on slate, formerly a table top, diameter 50cm. M1

George Richardson (c. 1800), North elevation of Eastwell Park House; South elevation of Doddington Hall, a pair of aquatints, each 33cm x 45.5cm; together with two prints of Old St Paul's, framed as…

After Sir Edwin Landseer, 'Bolton Abbey in the Olden Time', lithograph, 66cm x 77cm, together with a further engraving depicting Napoleon, (2). J1