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A W.A.S. Benson style brass and copper mounted adjustable oil lamp (converted), with Messenger oil burner and scroll work body and another similar, (2).

A small 17th century oak coffer, with chip work lid and Gothic arch carved front, 91cm wide x 46cm high.

An 18th century North European oak dome top trunk, with iron strap work mounts, 102cm wide x 67cm high.

A small 17th century oak five plank coffer, with chip work decoration, 88cm wide x 42cm high.

Paul Delvaux (Belgian 1897-1994), Reflections, lithograph, 1975, 31cm x 22.5cm.; together with a further work by the same hand.(2)

Bertrand Dorny (French b.1931), Port sunset, colour etching, signed and inscribed, 5/50, 59cm x 49cm.; together with a further work by the same hand.(2)

Paul Guiramand, ( French 1926-2008 ) Nature Morte, colour lithograph signed, 69/70 43cm x 66cm; together with another work by the same hand. (2)

Barbars Kwasnnewska (Polish b.1931), 'Cloe', colour etching, signed and inscribed 71/75, 76cm x 56cm.; together with a further work by the same hand and one by William D. Kuik.(3)

Quentin King (British b.1957), The Bleu Cabin; Cabin on the beach; the black Vase, three clour silkscreens, signed, each 35cm x 24cm.; together with a further work by Jeremy King.(4)

Colin Langeley (New Zealand b.1938), Pan Twardowski, colour screenprint, signed and dated '72, 21/70, 77cm x 57cm.; together with another work by the same hand.(2)

Loppo Martinez (French b. 1952), Spring; Summer; Autumn, three colour etchings, signed and numbered, 28.5cm x 22.5cm.; together with a further work by the same hand.(4)

Theo Tobiasse (Israeli, 1927-2012), Happy scenes, a pair, colour lithographs, both signed, numbered LXXXII, each 50cm x 65cm.; together with a further work by the same hand.(3)

A pair of Crewell curtains 110cm wide, the drop 185cm and further Crewell work fabric.

NICK ROSS (Contemporary) Through a Child's Eyes, 2000. platinum print, mounted, initialled and dated in pencil by the photographer lower r.h. on the margin, 40.5cm x 39.5cm within mounts; Child of…

Heinrich Harder (1858-1935), Path through the heather, oil on canvas, signed, 72cm x 98cm.

A Victorian figured walnut lift top work table on barley-twist supports, 67cm wide x 72cm high.

Richard Price (b.1962), Through the looking glass, oil on canvasboard, signed, 29.5cm x 24cm. DDS

Eric Tansley (1916-1979), Mountain base camp, oil on canvas, signed, 49cm x 59.5cm. DDS

A Louis XV style boulle work bracket clock of waisted form, with cherub finial, enamelled Roman numerals, glazed pendulum aperture and a French two train movement with count wheel and hammer striking…

A French boulle work mantel clock of waisted form, 19th century, with cherub surmount and foliate embellished gilt metal case enclosing a two train movement with hammer striking a coiled gong, 49.5cm…

A tortoiseshell mounted wall mirror with bevelled plate, 55cm high; a Dunhill photograph frame, 37.5cm x 32cm, a small brass and shell mounted desk thermometer compendium, 14cm, and a French Boulle…

A George III mahogany, harewood and satinwood oval work table, with hinged banded top on square splayed satinwood legs (lacks basket drawer), 75cms high, 51cms wide.

A pair of 19th century Chippendale revival mahogany card tables, each with rectangular foldover top with fret work frieze on block supports, 86cm wide x 74cm high. (2) Illustrated

A small 17th century and later oak five plank coffer with chip work decoration, 83cm wide x 44cm high.