Lot 54

HENRY PIERCE BONE (BRITISH, 1779-1855)

Portrait miniature of the artist's son, George Bone (b. 1814)
inscribed ‘George Bone / [Lon]don. Ju[…] / [Paint]ed From Nature / [by Henry Pierce Bone Enamel Painter / [to] Her Majesty, and their Royal / Highnesses the Duchess of Kent / and Princess Vict[oria]’ (the inscription partially obscured by tape, on counter-enamel)
enamel on copper
oval, 9.5 x 7.5cm
in a rectangular gilt metal mount within giltwood frame with foliate scrolls

Estimate: £800 - £1,200
Hammer price: £1,500
Bidding ended. Lot has been sold.

Provenance

The artist Henry Pierce Bone;

By descent to his son George Bone;

By descent to his daughters Georgina, aka Gina and Alice Bone;

Gifted to Richard Henry Egerton Russell by his Aunt and Godmother Phyllis Rosalind Leigh Hunt;

Thence by family descent

Footnote

George Bone was one of seven children of Henry Pierce Bone and his wife Anna Maria. He married, circa 1842, Rebecca Davies, daughter of James Davies and his wife, Sarah Ann, née Knaggs. They had two daughters; Georgina Davies Bone (also known as Gina) and Alice Bone.  

Henry Pierce Bone was the eldest son and pupil of the enamel painter Henry Bone, R.A. (1755-1834) and his wife Eliabeth, née Van der Meulen (d. c. 1830). After some initial training in the art of painting in oil and enamels by his father, he entered the Royal Academy School at the age of sixteen. After his father’s death in 1834, he concentrated on oil painting and the production of enamels and he began to produce copies of works by Old Masters and of portraits of the Spencer family, some of which were painted ad vivum. He followed in his father’s footsteps as enamel painter to Queen Adelaide, to Victoria, Duchess of Kent, and to Queen Victoria and Prince Albert, however he was never admitted to the Royal Academy. On 14 October 1805 he married Anna Maria Long, the daughter of a Clerkenwell watchmaker. They had four sons and three daughters. Henry Pierce Bone died on 21 October 1855 and the following year 172 of his enamels were sold at Christie’s.

Condition report
Uneven surface but this is original to work and would have been caused in production.
Two small marks catching the light at certain angles to right background but again these look like they are original to the work and would have been caused in production, they could just be part of the uneven surface.
Some pale mottled grey areas to edges/background, these could be variation to varnish.
Some surface dirt.
Appears in generally good original condition.

Frame in need of repair.

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